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Featured on AutoHunter, the online auction platform driven by ClassicCars.com, is this 1970 Camaro Z/28-RS sport coupe. It was restored in 2010 and the current owner has had the Camaro in his possession for the past five years. Power comes from an LT1 350ci V8 backed by a M22 four-speed manual with Hurst shifter. Features include Rally Sport package, AM/FM radio and COPO spoiler. Finished in Citrus Green with black stripes over dark green vinyl interior, this 1970 Camaro Z/28-RS comes with several original and miscellaneous parts plus the build sheet and a clear Pennsylvania title in the seller’s name.

During the 2010 restoration, the exterior was refinished in the original Citrus Green (code 43) and accented with black stripes. Exterior features include color-keyed Endura grille surround (part of the RS trim), aftermarket cowl induction hood, color-keyed mirrors, manual remote driver-side mirror and COPO 9697 rear spoiler. The seller states that the trunk lid does not stay open on its own.

A set of 15-inch five-spoke Cragar S/S wheels is wrapped in Goodyear Eagle GT II radials.

The interior is upholstered in dark green vinyl (code 724). Features include AM/FM stereo, three-spoke steering wheel, center console with Hurst shifter, and power steering and power brakes.

The seller states that all gauges are functional. A 150-mph speedometer, 8,000-rpm tachometer, clock and readouts for the fuel level, coolant temperature and amperage are located on the instrument panel. The odometer shows 25,570 miles, which the seller reports to be accurate.

Power is provided by the reportedly original LT1 350ci V8 and backed by a Muncie M22 close-ratio four-speed manual transmission with Hurst shifter. Engine bay features include chrome valve covers, aluminum intake, Holley carburetor, chrome air cleaner, MSD ignition and tube exhaust headers. The gallery on the auction page contains a picture of the engine stamps.

This Camaro is equipped with an independent front suspension and 12-bolt rear end with 3.73:1 gears. Braking is handled by power front discs and rear drums. A full-length dual exhaust system exits at the rear.

The seller will include the original hood, wheels, steering wheel and other miscellaneous parts with the sale, including the original build sheet.

The auction for this 1970 Chevrolet Camaro Z/28-RS ends on Monday, March 13, 2023, at 4:20 p.m. (MST)

Visit the AutoHunter listing for more information and photo gallery.

To view more information about our Pick of the Day, click the links in the article below.

While giving a ClassicCars.com auction tour at the Bonhams auction in Arizona, I briefly spoke to the group about a pair of Porsche 928 cars. One was a perfect survivor condition example with a 5-speed manual gearbox, original paint, and a Pasha interior, and the other was a decent driver. Both were sunroof delete models which to me is important, as I do not fit in sunroof cars.

I told the group that the 928 has always been one of my all-time favorite Porsche road cars ever since I drove one for the first time when I was 17 years old. No, it is not a 911, which is a pure sports car, but instead is possibly the finest GT car of the 1970s and 80s. The build quality of the cars is second to none, the V8 engine sounds amazing, the comfort of the interior is better than any Porsche model built at the time, and the futuristic (for the time) styling seems to get better with each passing year. I bid on the second car, but stopped when the price got to a point that I started to wonder if the car had any recent service history.

The 928 was introduced to the world in 1978 and was Porsche’s first clean sheet design since the introduction of the 356. You can argue that the 911 was a new design but if you look hard enough it is in its basic form an extensive revision of the 356. The car was commissioned by Ferdinand Porsche and aimed at the Mercedes and BMW market. The car offered luxury combined with performance but still has the Porsche feel and look. The mistake made with the car is that Porsche at one point thought of the 928 as a replacement for the 911, which it never would be.

The Pick of the Day is one of these fantastic GT cars, a 1980 Porsche 928 finished in Grand Prix White paint over a black leather interior. 

According to the O’Fallon, Illinois, dealer representing this car it has covered only 40,600 miles from new and is original aside from service items, including a few nice upgrades.

They also state that in 2020 maintenance included replacement of the timing belt, water pump, fuel pump and filter, air intake hoses, air filter, airbox straps, fuel injectors, ignition coils, spark plug wires, spark plugs, distributor cap, distributor rotor, new battery, and hood pad. In addition, the transaxle was also recently rebuilt, and the torque converter was replaced. The A/C system was recently serviced and blows strong and cold; however, the climate control unit is stuck on the cold setting and its heating function is currently inoperative. They state that this can be easily fixed by replacing the climate control unit, which is readily available and inexpensive. I think they may be right, but this should be checked to be sure that it is not a $3,000 job. At the same time the coolant expansion tank and radiator were replaced with aftermarket all aluminum units.

These cars are simply amazing to drive at speed and to this day remain the best 70s-80s GT I have ever driven.

The asking price for this 928 is a very reasonable $29,000, especially when you consider the recent service items that have been attended to. The owner of this car knew what the trouble spots on an older 928 can be and seems to have addressed them properly.

If you want a classic Porsche, but want a GT instead of a sportscar, look no further than this 928.

To view this listing on ClassicCars.com, see Pick of the Day.

Featured on AutoHunter, the online auction platform driven by ClassicCars.com, is this 1969 Chevrolet Chevelle Malibu. It has undergone a restoration that included new paint, seats and a fuel tank. Power comes from a rebuilt 350ci V8 backed by a TH400 automatic transmission. Notable features include tilt steering column with three-spoke steering wheel. Finished in blue over a white interior, this reportedly rust-free Chevelle comes with a Florida title in the seller’s name.

The exterior was refinished in a metallic blue about 18 months ago. Features include newer window trim, black grille with silver trim, and wheel arch moldings.

A set of five-spoke American Racing wheels is wrapped in newer Cooper Cobra Radial G/T tires.

The front bench seat, rear seat, trim, and door panels have been reupholstered in white vinyl. The seller also states that a new headliner and black carpeting were recently installed. Other features include tilt steering column, three-spoke steering wheel, power steering and brakes, and automatic shifter on the column.

The instrument panel includes a 120-mph speedometer and a fuel gauge, plus an aftermarket tachometer and a set of three auxiliary gauges are located under the dashboard. This Malibu has been driven 700 miles since the engine was rebuilt, with the current owner having added 150 miles. The odometer currently reads 84,690 miles though the true mileage remains unknown.

Power comes by a rebuilt 350ci small-block backed by a TH400 three-speed automatic transmission. The engine features include black valve covers and air cleaner lid, exhaust headers and electronic ignition. The seller states that while this Chevelle was originally equipped with an air conditioning system, it is currently disconnected and will not be included in the sale.

Braking is provided by power front disc brakes and rear drums. A full-length dual exhaust system exits at the rear. A new fuel tank has also been installed.

This 1969 Chevrolet Chevelle Malibu‘s auction ends on Friday, March 10, 2023, at 4:20 p.m. (MST)

Visit the AutoHunter listing for more information and photo gallery

The Nissan Z first came to the U.S. in the late 1960s as the Datsun 240Z, but in Japan this first-generation model (code-named S30) was known as the Nissan Fairlady Z. On a recent episode of “Jay Leno’s Garage,” Z specialist Jay Ataka shows off an early example of the version sold in Japan.

While sold in both markets, the 240Z was designed with the U.S. in mind. Yutaka Katayama, then head of Nissan’s West Coast operations and known as Mr. K to Z car fans, pushed for the car and, concerned that Americans wouldn’t like the Fairlady name, advocated for the 240Z name instead. Like other U.S.-market Nissan models of the period, the sports car was also badged a Datsun.

The car shown here is easily identifiable as a JDM model by its fender-mounted mirrors, a common feature on cars sold in Japan. It also has covered headlights, grille-mounted turn signals, and, because this is a base model, plain steel wheels without hub caps. This car also has a locking gas cap, which wasn’t offered in the U.S. as a factory option.

The U.S.-spec 240Z launched with a 2.4-liter inline-6 producing 130 hp, but that was later downgraded to 125 hp partway through 1971. However, Japanese-market base models like this car left the factory with a 2.0-liter version of this engine, and also started production a bit earlier, in late 1969. This car features an upgraded head that boosted output to 125 hp, with a 5-speed manual transmission. 

Japan also got the 2.4-liter version, as well as a special Z432, which had a twin-cam version of the 2.0-liter inline-6 shared with the Nissan Skyline GT-R sold at the time. The S30-generation Z was relatively affordable in Japan when new, Ataka noted, but most still went to the U.S.

The 240Z is still a common sight in U.S. classic-car circles today, with multiple examples appearing on Jay Leno’s Garage over the years, but this JDM Fairlady Z provides a rare look at the Nissan Z’s early history. Watch the full video and check it out.

This article was originally published by Motor Authority, an editorial partner of ClassicCars.com.

This 1932-style Ford roadster was built under previous ownership with Dearborn Duece steel bodywork finished in Brandywine over tan leather upholstery and is powered by a 5.3-liter Vortec V8 mated to a 4L60E four-speed automatic transmission. Features include a black soft top, a polished grille and fuel tank, chrome bumpers, body-colored running boards, power steering, four-wheel disc brakes, Boyd Coddington wheels, four-wheel independent suspension, coilovers, Vintage Air climate control, Classic Instruments gauges, and power windows. The car was acquired by the owner in 2017. This Ford roadster is now offered in Nevada by the seller on behalf of the owner with a 2010 appraisal document clean Montana title listing the car as a 1932 Ford Model B Cabrio.

The steel Dearborn Duece convertible bodywork is finished in House of Kolor Brandywine and features a black soft top, a polished grille and fuel tank, a single LED taillamp strip, chrome bumpers, body-colored running boards, and twin polished Carriage Works exhaust outlets. The seller notes that paint repairs were performed under current ownership.

The staggered Boyd Coddington wheels are mounted with Goodyear Eagle RS-A tires measuring 195/55R15 up front and 255/55R17 out back. The car is equipped with a four-wheel independent suspension, power steering, adjustable coilovers, and polished suspension components. Stopping power is provided by four-wheel disc brakes that incorporate inboard-mounted rears.

The cabin features a bench seat upholstered in tan leather joined by a color-coordinated lower dashboard cover, door panels, and carpets. Features include Vintage Air climate control, power windows, carpeted floor mats, aluminum pedals, and polished door sills. A CTEK trickle charger is installed behind the seat.

The leather-wrapped steering wheel has banjo-style spokes and a polished horn button. Instrumentation consists of a Classic Instruments 140-mph speedometer, a tachometer, and gauges for battery voltage, fuel level, oil pressure, and coolant temperature. The five-digit mechanical odometer shows 60 miles, approximately 35 of which were added under current ownership. Total mileage is unknown.

The 5.3-liter Vortec V8 features an electronic fuel injection system, a custom air intake tube, and coil-on-plug ignition. An aluminum radiator has been installed as well as an electric fan.

Power is delivered to the rear wheels through a four-speed 4L60E automatic transmission.

This 1935 Hupmobile Series 521-J sedan was refurbished and modified under previous ownership before it was purchased by the selling dealer in 2022. The car is finished in green over tan cloth upholstery, and power comes from a 455ci Buick V8 paired with a GM-sourced three-speed automatic transmission. Features include an aluminum radiator with electric cooling fans, a dual-exit exhaust system, power-assisted front disc brakes and steering, an independent front suspension, driving lamps, turn signals, a backup camera, 15″ chrome Torq-Thrust style wheels, front and rear bucket seats, a tilt steering column, a heater, and a CD player mounted in the glovebox. This Aerodynamic Hupmobile is now offered with a clean Pennsylvania title.

Hupmobile introduced the Raymond Loewy-designed Aerodynamic models for 1934, and they remained in production until the company paused its automobile production a few years later. This example is said to have received rust repair on the quarter panels before it was painted green under previous ownership. Features include chrome bumpers and faux fender vents as well as turn signals, driving lamps, rear-hinged front doors, running boards, Hupmobile-branded fender skirts, dual brake lights, a backup camera, and a dual-exit exhaust system. The rear door handles were shaved under previous ownership.

The 15″ chrome Torq-Thrust style wheels wear faux three-eared knock-off hubs and are mounted with Coker Classic whitewall radial tires. The 521-J sedan rode on a 121″ wheelbase, and this example was modified under previous ownership with a coil-sprung double-wishbone front suspension setup and power-assisted steering. Stopping power is provided by power-assisted front discs and rear drums.

The cabin features front and rear bucket seats trimmed in tan patterned cloth with a matching headliner, door panels, and carpets. Equipment includes a custom center console, a double-DIN CD player mounted in the glovebox, a heater, three-point front seat belts, and rear lap belts.

The two-spoke steering wheel is mounted on a tilting column ahead of a Hupmobile-branded 100-mph speedometer and a combination gauge. Aftermarket auxiliary gauges are mounted above the steering column. The five-digit odometer shows 84k miles. Total mileage is unknown.

The replacement 455ci V8 was sourced from a Buick and was installed under previous ownership. An aluminum radiator and electric cooling fans are fitted along with chrome valve covers. Fresh fluids were added in preparation for the sale.

Power is sent to the rear wheels via a replacement GM-sourced three-speed automatic transmission. There is a hole in the muffler.

Rolls-Royce Motor Cars today unveils Phantom Syntopia, an intricate, Haute Couture-inspired masterpiece created in collaboration with renowned Dutch fashion designer and Haute Couturière Iris van Herpen. Based on Phantom Extended – the ultimate blank canvas for personalization – it is the most technically complex commission ever undertaken by the Rolls-Royce Bespoke Collective. Now, after four years of continuous development, this extraordinary and unique creation is complete; it will soon take its place in the private collection of discerning patrons of the brand.

Phantom Syntopia takes its name from Iris van Herpen’s landmark 2018 collection, designed on the principles of biomimicry in which art is inspired by patterns and shapes found in nature. Like the collection, which comprises a series of highly sculptural garments brought to life through movement, Phantom Syntopia seeks to represent the elusive, ethereal beauty of fluid motion in solid materials through its ‘Weaving Water’ theme.

Iris van Herpen with the Rolls-Royce Phantom Syntopia

“From the very beginning, this truly was a meeting of minds: two luxury houses that share the innovative vision and ambition to transcend the boundaries of luxury design,” says Gavin Hartley, Head of Bespoke Design, Rolls-Royce Motor Cars. “Together, we further explored the potential of Phantom as a perfect canvas for individualization. Phantom Syntopia literally takes Rolls‑Royce interior design into a new dimension with its immersive, sculptural elements, reinterpreting the elusive fragility of nature’s forms in a perfectly engineered reality.”

Torsten Müller-Ötvös, Rolls Royce Motor Cars CEO states, “Phantom Syntopia is the most ambitious, singular and highly Bespoke Phantom we have ever created, and a clear statement of Rolls-Royce’s standing as a true luxury house.”

EXTERIOR COACHWORK: IRIDESCENT MAGNETISM
To create the stunning, shimmering exterior, the Rolls-Royce Bespoke Collective developed a one-off Liquid Noir paint. Iridescent in sunlight, it reveals Purple, Blue, Magenta and Gold undertones when viewed at different angles. To achieve this effect, the marque’s darkest solid-black paint is overlaid with a finish incorporating a mirror-like pigment, selected for its colour-shifting properties. To add a subtle, elegant shimmer, the team developed a brand-new technique for applying pigment to the clearcoat – a process that took several months, including over 3,000 hours of testing and validation alone.

On closer inspection, the motor car’s bonnet is seen to feature a subtle rendering of the Weaving Water motif that appears throughout the interior, produced by carefully redistributing the pigment during the finishing process.

INTERIOR SUITE: THREE-DIMENSIONAL ART
Phantom Syntopia’s interior suite incorporates magnificent features which were co-created in a creative and technical meeting of minds by the Rolls-Royce Bespoke Collective and Iris van Herpen. Some interior elements were handcrafted at the Home of Rolls-Royce by the company’s leading craftspeople working alongside members of Iris van Herpen’s team, while others were created in Iris van Herpen’s Amsterdam atelier, alongside her Haute Couture garments.

Interior of the Rolls-Royce Phantom Syntopia

NEXT CHAPTER IN TEXTILE EXPLORATION
Phantom Syntopia continues the Bespoke Collective’s exploration of textiles. In homage to Rolls-Royce’s heritage, this unique motor car recalls an era where a driver’s seat was trimmed in hardwearing leather and the rear compartment in luxurious, inviting fabrics. The front seats of Phantom Syntopia are finished in Magic Grey leather, distinguished by its lustrous finish. The rear seats are upholstered with a specially created silk-blend fabric, featuring a distinctive pattern which recalls the patterns cast by light reflecting on water at night.

Iris Van Herpin’s Atelier craftsmanship process

The seats are quilted with a Weaving Water motif, inspired by a tufting technique often employed in fine furniture-making in which embroidery is applied to the reverse side of the textile. This creates a three-dimensional depth while achieving a smooth, seamless, uninterrupted surface.

Iris Van Herpin’s Atelier craftsmanship process

PINNACLE LUXURY MEETS HAUTE COUTURE
For a truly Haute Couture experience, Iris van Herpen will design a one-off garment especially for the clients of this transformative commission. The sculptural design of the dress echoes the Weaving Water theme explored in Phantom Syntopia’s Starlight Headliner, featuring an elegant application of the ‘liquid metal’ fabric and the glass organza petals, laser-cut and hand-stitched in a pattern resembling undulating waves. This exquisite garment, reflective of Iris van Herpen’s newly developed Haute Couture techniques, is expected to take around six months of work, including pattern development, crafting and applying the petals, embroidery, fitting and tailoring.

Phantom Syntopia will take its place in the clients’ private collection in May. As a true one-of-one commission, Rolls-Royce has undertaken that it will never be replicated.

Rolls-Royce Motor Cars today unveils Phantom Syntopia, an intricate, Haute Couture-inspired masterpiece created in collaboration with renowned Dutch fashion designer and Haute Couturière Iris van Herpen. Based on Phantom Extended – the ultimate blank canvas for personalization – it is the most technically complex commission ever undertaken by the Rolls-Royce Bespoke Collective. Now, after four years of continuous development, this extraordinary and unique creation is complete; it will soon take its place in the private collection of discerning patrons of the brand.

Phantom Syntopia takes its name from Iris van Herpen’s landmark 2018 collection, designed on the principles of biomimicry in which art is inspired by patterns and shapes found in nature. Like the collection, which comprises a series of highly sculptural garments brought to life through movement, Phantom Syntopia seeks to represent the elusive, ethereal beauty of fluid motion in solid materials through its ‘Weaving Water’ theme.

Iris van Herpen with the Rolls-Royce Phantom Syntopia

“From the very beginning, this truly was a meeting of minds: two luxury houses that share the innovative vision and ambition to transcend the boundaries of luxury design,” says Gavin Hartley, Head of Bespoke Design, Rolls-Royce Motor Cars. “Together, we further explored the potential of Phantom as a perfect canvas for individualization. Phantom Syntopia literally takes Rolls‑Royce interior design into a new dimension with its immersive, sculptural elements, reinterpreting the elusive fragility of nature’s forms in a perfectly engineered reality.”

Torsten Müller-Ötvös, Rolls Royce Motor Cars CEO states, “Phantom Syntopia is the most ambitious, singular and highly Bespoke Phantom we have ever created, and a clear statement of Rolls-Royce’s standing as a true luxury house.”

EXTERIOR COACHWORK: IRIDESCENT MAGNETISM
To create the stunning, shimmering exterior, the Rolls-Royce Bespoke Collective developed a one-off Liquid Noir paint. Iridescent in sunlight, it reveals Purple, Blue, Magenta and Gold undertones when viewed at different angles. To achieve this effect, the marque’s darkest solid-black paint is overlaid with a finish incorporating a mirror-like pigment, selected for its colour-shifting properties. To add a subtle, elegant shimmer, the team developed a brand-new technique for applying pigment to the clearcoat – a process that took several months, including over 3,000 hours of testing and validation alone.

On closer inspection, the motor car’s bonnet is seen to feature a subtle rendering of the Weaving Water motif that appears throughout the interior, produced by carefully redistributing the pigment during the finishing process.

INTERIOR SUITE: THREE-DIMENSIONAL ART
Phantom Syntopia’s interior suite incorporates magnificent features which were co-created in a creative and technical meeting of minds by the Rolls-Royce Bespoke Collective and Iris van Herpen. Some interior elements were handcrafted at the Home of Rolls-Royce by the company’s leading craftspeople working alongside members of Iris van Herpen’s team, while others were created in Iris van Herpen’s Amsterdam atelier, alongside her Haute Couture garments.

Interior of the Rolls-Royce Phantom Syntopia

NEXT CHAPTER IN TEXTILE EXPLORATION
Phantom Syntopia continues the Bespoke Collective’s exploration of textiles. In homage to Rolls-Royce’s heritage, this unique motor car recalls an era where a driver’s seat was trimmed in hardwearing leather and the rear compartment in luxurious, inviting fabrics. The front seats of Phantom Syntopia are finished in Magic Grey leather, distinguished by its lustrous finish. The rear seats are upholstered with a specially created silk-blend fabric, featuring a distinctive pattern which recalls the patterns cast by light reflecting on water at night.

Iris Van Herpin’s Atelier craftsmanship process

The seats are quilted with a Weaving Water motif, inspired by a tufting technique often employed in fine furniture-making in which embroidery is applied to the reverse side of the textile. This creates a three-dimensional depth while achieving a smooth, seamless, uninterrupted surface.

Iris Van Herpin’s Atelier craftsmanship process

PINNACLE LUXURY MEETS HAUTE COUTURE
For a truly Haute Couture experience, Iris van Herpen will design a one-off garment especially for the clients of this transformative commission. The sculptural design of the dress echoes the Weaving Water theme explored in Phantom Syntopia’s Starlight Headliner, featuring an elegant application of the ‘liquid metal’ fabric and the glass organza petals, laser-cut and hand-stitched in a pattern resembling undulating waves. This exquisite garment, reflective of Iris van Herpen’s newly developed Haute Couture techniques, is expected to take around six months of work, including pattern development, crafting and applying the petals, embroidery, fitting and tailoring.

Phantom Syntopia will take its place in the clients’ private collection in May. As a true one-of-one commission, Rolls-Royce has undertaken that it will never be replicated.

In the comments sections on stories here at Hemmings, we euphemize something called “modern traffic.” To be blunt, it means – so often in the United States anyway – distracted drivers breaking the posted speed limit in large, tall vehicles. Even a car with less bulk than a hurtling Ford Super Duty can kill you. In my case: twice, a Dodge Charger. There’s no changing the physics of p=mv, but one can do things to be more visible.

Two Near Misses

My first brush with Newton’s ironclad Second Law happened in 1980, when a pre-grunge, Neil Young version of me sat behind the wheel of my original Buick Apollo. At a three-way intersection, I ran a hand through my long tangled hair and turned off a major road, just as a blindingly orange third-generation Charger ran a stop sign. Might have been a ‘73, with those triple opera windows and white vinyl top. Yes, being a car guy, I noticed this right before I would have T-boned the driver’s door.

A split second later, I floored my Buick’s anemic GM 350. It did have low-end torque, and that may have saved my day. I swerved to cut in front of the Dodge, missing it by less than a foot, then braked hard to avoid an oncoming vehicle, the make and model of which now escape me.

I know that I nearly wet my ripped jeans. I had to pull over and sit still for about five minutes, to find that my battered flannel shirt had been soaked with sweat.

How history repeats itself!

My second near-experiment with the Second Law of Motion occurred last year. As a 60-mph wind blew over my bald head, I barreled down a two-lane in a black Miata we call Marco. I’ve a special fondness for Marco because I used it to learn how to drive stick.

Imagine my flashback to teen terror when a white Charger, of the reborn four-door sort, turned directly in front of me. I had perhaps 40 feet before T-boning the passenger side.

A Miata handles better than any stock Apollo, and with no time to brake, I zigged into the left lane to see a full-size pickup’s battering-ram grille coming at me. The driver–bless him!–saw what was going on and stood on his brakes so I could zag back into my lane. When I cleared him, I think 15 feet separated our sheet metal from a collision at a combined speed of 100 mph. You can do the math to calculate our momentum.

Thank you, Miata handling and my time-honed art of paying attention. In 1974, when mom taught me to drive, she constantly reminded me “Joe, you have to drive everyone else’s car, too.”

The Charger’s driver? Onward, not even knowing what had nearly occurred. No horns, no screeching of tires thanks to ABS in the pickup and two attentive drivers.

When I got home, I decided to sell Marco. I wanted another Miata in a brighter color. Sadly, a Carfax report revealed what I had been too stupid to check when I went over the Miata: several owners back, it had been rebuilt (well) from a salvage title. Its value dropped faster than a cryptocurrency portfolio.

So I was stuck with a car that appears to become invisible under certain conditions. Could I add a giant Hemi-Orange hazard flag to the radio aerial? Sure (but no).

Paint the entire car bright pink?

“Hard no,” as my students say. Yet I suddenly had a plan, beyond following my mom’s maxim.

Striper Joe Tries Reverse Camo

We recently covered an interesting topic: Do stripes help some cars look better? My need was more primal: Do stripes in a bright color mean someone can see me in the Miata and not squish me like a bug?

A contrast stripe works like reverse camouflage: If camo tricks the eye into making an object vanish, then the reverse camo of bright stripes might make a black object stand out against a dark gray road surface, gray tree trunks, and green canopy. I began keeping track of vehicles I noticed casually versus those I don’t. Cowl stripes really seem to help, if their contrast proves great enough.

I hoped. Then I said “Okay, how about stripes and better daytime lights?” My wife crossed her arms and nodded.

Thus I had a plan. If you want to upgrade your classic’s lights or add vinyl stripes, read on.

We once had a local shop called Striper John, and we older car guys made fun of tuner-era cars on which John had gone to work. We’d say that the stripe job and other add-ons ended up being worth more than the Civic.

Whenever we saw a small Japanese car with wild graphics, my buddy Devlin and I joked about Pep Boys racing-stripe tape, of the sort we’d used in the mid-1980s to put cowl stripes over the blue-and-mustard ones that came with his AMC Hornet, bought at an auction from the local phone company. Yes, children, back when dinosaurs walked the earth, we had one phone company and communications devices that worked over something called land lines.

Devlin saw a photo of my current stripe job and noted that duct tape had come a long way since 1985.

AMC Hornet stripes

Little did we know how much “tape tech” and adhesives have changed in four decades, but the art of doing it well still takes a lot of time. Striper John put a lot of painstaking work into applying vinyl stripes. If you’ve not done it, please heed my warnings.

I’d wanted something like the bonnet-to-boot stripes that had been on my Cooper S hardtop and convertible – wide and highly visible. I picked a bright red eight-inch stripe with enough extra in the roll to give me more material if (when) I made a mistake. The plan? One stripe off-center on the passenger side. The kit advised wetting down the stripe with soapy water from a spray bottle, backing side up, while laid on a wet car before peeling the backing and applying the stripe wet, then using an included squeegee to get out bubbles.

This part proved simple. The stripes moved around easily to marks I’d premeasured to keep them aligned. That too was easy, using some masking tape at intervals on the bodywork.

Yes, that all sounds trivial and it looked good, until I hit the wrong curve on the body. Immediately, the stripe stopped laying flat on the wet paintwork. A small corner would poke up. Stretching it only made it worse. So I removed the stripe and played with leftover pieces of various widths, until I realized that a three-inch stripe would work perfectly on the Miata’s curves with a one-inch stripe beside it. Using my wife’s cutting table for fabric plus a T-square left from when I failed out of engineering school, I razor-cut my big stripe into sections and resumed. This yielded about an hour of feeling proud of myself. Then…bubbles.

No matter how careful, you’ll get a few. The smallest, after more squeegee-time and heat-gun drying, got poked and flattened almost invisibly with an airbrush needle, the finest one I own.

Before that, however, I used a heat gun–carefully–to warm the vinyl and set the stripe in place. This stop eliminated bubbles near the edges of the stripes. That detail proved essential, as I found that for ends wrapping around the edge of a hood or trunk, natural drying will not make vinyl adhesive stick. The gun made it tacky, and when the adhesive cured, everything looked factory installed.

heat gun for stripe application

One caveat: too much heat will melt a stripe. I avoided that, but I did score a second-degree burn on my wrist from brushing a still-hot gun. That will leave a scar I’ll carry for a long time. Use gloves or if you switch to working bare-handed on a stripe, put the gun down far from you while it cools down, as you reach for a tool.

Will these vinyl add-ons hold up? So far, they have done well on 55-mph drives. If they peel off? Maybe they will, but I have half a roll left.

stripe application

As a final touch, I used a plastic bezel from my parts box to surround the truck lock. The car’s rear panel had been damaged under prior ownership by a poor DIYer or would-be thief trying to get into the trunk. I sanded the panel flat, filling some of the cracks with a heavy-duty waterproof epoxy before priming with a high-build primer, repainting, clear coating, and wet sanding. With the stripes down, I attached the newly painted black bezel with more epoxy. My model-building skills proved good for something!

With hood and rear stripes done, I moved on to the headlamps before waxing the car’s fading paint job.

What Is a Lumen?

I stupidly thought adding brighter daytime lights would be the hard part. How wrong I was. Compared to striping, I nailed down brighter headlights in an hour.

With a set of foglamps in hand, I pondered when and how I drive the car, almost always in daylight. My foglamps proved a little tedious for running wires and moving the bracket for the license plate, so I focused on replacement bulbs for the existing headlights instead, a bolt-on improvement.

My theory? LED lights, with a bright white and not yellow-white of halogen bulbs, would make excellent daytime running lights. At night, however, LED lights can pose hazards if they get directed into the eyes of oncoming drivers.

That particular hazard, in any case, seems remote for a Miata. Mine sits so close to the pavement that my lights could miss the lower bumper of a new F-150.

LED headlamp conversion

All that won’t help if a state deems LEDs illegal when added to an older car. Virginia allows them as long as 1) the lights are white or amber, and 2) they must follow our other headlight laws, namely “not to project a glaring or dazzling light to persons approaching [the vehicle].”

How bright are LEDs? That depends on the set. Stock lights on most new cars run 2000-4000 lumens. As a point of reference, California limits headlight brightness to just over 2500 lumens. My new lights shine at 4000, compared to the 1500-lumen halogen bulbs they replaced.

Rule of thumb from a web search: One lumen equals the light of a single birthday candle from one foot away.

Now try imagining Methuselah’s birthday cake.

LED headlamp conversion

My fanless LEDs installed without any trouble. I pulled one headlamp cover to see how it all worked, then did the other without removing the assembly from the car. One small snag slowed me down; the heat-sinks at the back of each light required enlarging the opening in Mazda’s rubber dust-boot. I took off as little material as possible, after finding on my daily driver (a Honda CR-V) that if a boot fails to stay snug it lets in moisture and soon, the plastic lenses get condensation inside.

In 10 minutes, I had working lights, but then I went back to add one important element.

LEDs can act oddly without a “driver,” or a resistor, as the company who sold me my lights calls their device. I ordered one for each light. These drivers guarantee a consistent voltage to the headlights, not that LEDs pull a lot. My lights did not have them installed internally, so I had to find spots for two boxes under the hood, each slightly larger than a pack of cigarettes. They bolted to existing places underhood with wiring to spare.

LED headlamp conversion

We find ourselves driving the Mazda more than our older classics for several reasons, such as the car’s airbags and disc brakes, though the drop-top cinches the deal most months of the year.

I now feel a little more secure on the road, but I’m watching out for a third Dodge Charger.

So what have you done to make yourself more noticeable in that “modern traffic” as you pilot a classic car? I’d like to hear your ideas in the comments.

Joe Essid is a part-time farmer and writer based in Goochland County, Virginia. You can follow his exploits at TractorPunk.blogspot.com. He teaches writing and writes about it at the University of Richmond. Currently his research involves the effects of chatbot AI on the teaching and tutoring of writing.

The hardworking staff of Hemmings Auctions is proud to share with you some of the most notable vehicles they have helped to find enthusiastic new homes for over the past week. Forty-eight new vehicle listings launched between Sunday, February 26, and Saturday, March 4. Of those, 26 sold, including eight post-auction Make Offer listings. This equates to a sell-through rate of 54 percent. You can keep abreast of the latest consignments by subscribing to the daily Hemmings Auctions email newsletter.

1950 Chevrolet Styleline De Luxe

1950 Chevrolet Styleline De Luxe Convertible front quarter top down

1950 Chevrolet Styleline De Luxe Convertible interior

1950 Chevrolet Styleline De Luxe Convertible trunk

1950 Chevrolet Styleline De Luxe Convertible engine

1950 Chevrolet Styleline De Luxe

1950 Chevrolet Styleline De Luxe Convertible undercarriage

1950 Chevrolet Styleline De Luxe Convertible rear quarter top up

Reserve: $29,000

Selling Price: $48,825

Recent Market Range: $26,800-$39,500

Little over 34,000 miles showed on the odometer of this pastel-colored postwar Chevy, and its seller claimed that figure was accurate. The never-rusted Styleline De Luxe convertible had received a sympathetic refurbishment that included a single repaint in Mist Green and replacement floor and trunk mats. The factory-installed convertible top and upholstery were claimed to remain, and minor glass delamination was noted, as was a small oil leak from the pan below the 216-cu.in. OHV inline-six engine; the column-shifted 3-speed manual was described as “perfect.” Similarly good were recently replaced shocks and bias-ply tires. After four time extensions, the Styleline had a happy new owner.

1980 Triumph TR8

1980 Triumph TR8 Convertible front quarter top down

1980 Triumph TR8 Convertible interior

1980 Triumph TR8 Convertible engine

1980 Triumph TR8 Convertible trunk

1980 Triumph TR8 Convertible undercarriage

1980 Triumph TR8 Convertible profile top up

Reserve: $10,000

Selling Price: $27,300

Recent Market Range: $8,200-$13,500

To vintage-TR fans, the firm’s last sports car was controversial in looks; time proved its wedge shape was on-trend. Perhaps the aftermarket body kit fitted to this TR8 was a step too far for some, but not for the excited bidders vying for the customized, 3.5-liter Rover V-8-powered convertible. That engine was hopped up with a Holley 4-barrel carburetor, electronic ignition, and dual exhaust, and its attendant 5-speed manual promised smooth shifts. The blue paint, cloth top, and vinyl seat upholstery all looked nice, although the A/C and tachometer didn’t work. Minilite-style alloys mounted older radial tires. The seller engaged with interested parties and the Triumph sold extremely well.

1965 Ford Mustang

1965 Ford Mustang Hardtop front quarter

1965 Ford Mustang Hardtop interior

1965 Ford Mustang Hardtop trunk

1965 Ford Mustang Hardtop engine

1965 Ford Mustang Hardtop undercarriage

1965 Ford Mustang Hardtop rear quarter

Reserve: $44,000

Selling Price: $50,400

Recent Market Range: N/A

The early Mustang will always have a popular following because it was so “right” from the start, having nearly universal appeal. This restored 1965 coupe turned heads with its “show-quality” Guardsman Blue paint over a blue-trimmed white vinyl interior. The automatic-equipped Ford received some new sheetmetal and many correct replacement parts in the course of its rejuvenation. Its engine compartment looked particularly nice, the original 2-barrel, 260-cu.in. V-8 bearing the right stamps and stickers. The undercarriage also looked show-ready and fresh bias-ply tires blended correct looks with ride comfort. For a non-performance version, this well-presented pony car brought a muscular sum.

1957 Cadillac Eldorado Biarritz

1957 Cadillac Eldorado Biarritz Convertible front quarter top down

1957 Cadillac Eldorado Biarritz Convertible interior

1957 Cadillac Eldorado Biarritz Convertible trunk

1957 Cadillac Eldorado Biarritz Convertible engine

1957 Cadillac Eldorado Biarritz Convertible undercarriage

1957 Cadillac Eldorado Biarritz

1957 Cadillac Eldorado Biarritz Convertible rear quarter top up

Reserve: $75,000

Selling Price: $120,915

Recent Market Range: $80,000-$115,000

This top-of-the-line 1957 Cadillac convertible was a genuine museum piece, being sold by a New England-based not-for-profit car museum. It was a real head-turner, with no divulged damage to its paintwork, body chrome, or glass, and its two-tone leather upholstery sported an inoffensive patina. The 325-hp, twin-carbureted 365-cu.in. V-8 was thought to be factory-installed, and while there was no record of a rebuild, it was said to operate without issue. Minor surface corrosion was visible on the undercarriage and the age of the bias-ply tires was unknown. A replacement VIN tag was installed. An impressive 42 bids were needed to win this rare Eldorado Biarritz, which blew past its reserve.

1946 Dodge WC Half-Ton 

1946 Dodge WC Half-Ton Pickup front quarter

1946 Dodge WC Half-Ton Pickup interior

1946 Dodge WC Half-Ton Pickup engine

1946 Dodge WC Half-Ton Pickup wood bed

1946 Dodge WC Half-Ton Pickup undercarriage

1946 Dodge WC Half-Ton Pickup rear quarter

Reserve: $30,000

Selling Price: $31,500

Recent Market Range: $22,000-$33,000

The exterior facade of Hemmings HQ in Vermont wears a rust-patinated front clip of a Dodge truck just like this one, although this 1946 WC Half-Ton is much shinier thanks to its 3-year-old, two-tone paint with only minor blemishes, not to mention the varnished wood bed floor. The restoration afforded this pickup left it in good condition, with an earlier 1941 Plymouth flathead inline-six and 3-speed manual providing motivation. The steering wheel showed some age and the original gauges were replaced with modern custom units, but the upholstery and floor mat looked new. The undercarriage was very clean, and tires had fewer than 200 miles on them. This truck reached the top of its range.

1940 Ford DeLuxe

1940 Ford DeLuxe Convertible Club Coupe front quarter

1940 Ford DeLuxe Convertible Club Coupe interior front

1940 Ford DeLuxe Convertible Club Coupe rear seat

1940 Ford DeLuxe Convertible Club Coupe engine

1940 Ford DeLuxe Convertible Club Coupe undercarriage

1940 Ford DeLuxe

1940 Ford DeLuxe Convertible Club Coupe rear quarter

Reserve: $47,000

Selling Price: $51,450

Recent Market Range: $44,100-$62,500

“The style leader in its price class” was how Ford advertised its Deluxe V-8 for 1940, the year this Convertible Club Coupe left the factory. Among its new features were a column shifter for the three-speed manual transmission and sealed-beam headlamps, both present on this restored-to-stock, rust-free example. Its paint was described as “very good,” the fabric top said to be new, and the seats looked nice; some paint chips marred the steering wheel and dashboard. A bit of firewall paint was flaking off under the hood, but the 221-cu.in. flathead V-8 promised to run and drive well, with two drivetrain leaks divulged. This sold in the heart of its market range as a Make Offer listing.