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This 1935 Hupmobile Series 521-J sedan was refurbished and modified under previous ownership before it was purchased by the selling dealer in 2022. The car is finished in green over tan cloth upholstery, and power comes from a 455ci Buick V8 paired with a GM-sourced three-speed automatic transmission. Features include an aluminum radiator with electric cooling fans, a dual-exit exhaust system, power-assisted front disc brakes and steering, an independent front suspension, driving lamps, turn signals, a backup camera, 15″ chrome Torq-Thrust style wheels, front and rear bucket seats, a tilt steering column, a heater, and a CD player mounted in the glovebox. This Aerodynamic Hupmobile is now offered with a clean Pennsylvania title.

Hupmobile introduced the Raymond Loewy-designed Aerodynamic models for 1934, and they remained in production until the company paused its automobile production a few years later. This example is said to have received rust repair on the quarter panels before it was painted green under previous ownership. Features include chrome bumpers and faux fender vents as well as turn signals, driving lamps, rear-hinged front doors, running boards, Hupmobile-branded fender skirts, dual brake lights, a backup camera, and a dual-exit exhaust system. The rear door handles were shaved under previous ownership.

The 15″ chrome Torq-Thrust style wheels wear faux three-eared knock-off hubs and are mounted with Coker Classic whitewall radial tires. The 521-J sedan rode on a 121″ wheelbase, and this example was modified under previous ownership with a coil-sprung double-wishbone front suspension setup and power-assisted steering. Stopping power is provided by power-assisted front discs and rear drums.

The cabin features front and rear bucket seats trimmed in tan patterned cloth with a matching headliner, door panels, and carpets. Equipment includes a custom center console, a double-DIN CD player mounted in the glovebox, a heater, three-point front seat belts, and rear lap belts.

The two-spoke steering wheel is mounted on a tilting column ahead of a Hupmobile-branded 100-mph speedometer and a combination gauge. Aftermarket auxiliary gauges are mounted above the steering column. The five-digit odometer shows 84k miles. Total mileage is unknown.

The replacement 455ci V8 was sourced from a Buick and was installed under previous ownership. An aluminum radiator and electric cooling fans are fitted along with chrome valve covers. Fresh fluids were added in preparation for the sale.

Power is sent to the rear wheels via a replacement GM-sourced three-speed automatic transmission. There is a hole in the muffler.

Rolls-Royce Motor Cars today unveils Phantom Syntopia, an intricate, Haute Couture-inspired masterpiece created in collaboration with renowned Dutch fashion designer and Haute Couturière Iris van Herpen. Based on Phantom Extended – the ultimate blank canvas for personalization – it is the most technically complex commission ever undertaken by the Rolls-Royce Bespoke Collective. Now, after four years of continuous development, this extraordinary and unique creation is complete; it will soon take its place in the private collection of discerning patrons of the brand.

Phantom Syntopia takes its name from Iris van Herpen’s landmark 2018 collection, designed on the principles of biomimicry in which art is inspired by patterns and shapes found in nature. Like the collection, which comprises a series of highly sculptural garments brought to life through movement, Phantom Syntopia seeks to represent the elusive, ethereal beauty of fluid motion in solid materials through its ‘Weaving Water’ theme.

Iris van Herpen with the Rolls-Royce Phantom Syntopia

“From the very beginning, this truly was a meeting of minds: two luxury houses that share the innovative vision and ambition to transcend the boundaries of luxury design,” says Gavin Hartley, Head of Bespoke Design, Rolls-Royce Motor Cars. “Together, we further explored the potential of Phantom as a perfect canvas for individualization. Phantom Syntopia literally takes Rolls‑Royce interior design into a new dimension with its immersive, sculptural elements, reinterpreting the elusive fragility of nature’s forms in a perfectly engineered reality.”

Torsten Müller-Ötvös, Rolls Royce Motor Cars CEO states, “Phantom Syntopia is the most ambitious, singular and highly Bespoke Phantom we have ever created, and a clear statement of Rolls-Royce’s standing as a true luxury house.”

EXTERIOR COACHWORK: IRIDESCENT MAGNETISM
To create the stunning, shimmering exterior, the Rolls-Royce Bespoke Collective developed a one-off Liquid Noir paint. Iridescent in sunlight, it reveals Purple, Blue, Magenta and Gold undertones when viewed at different angles. To achieve this effect, the marque’s darkest solid-black paint is overlaid with a finish incorporating a mirror-like pigment, selected for its colour-shifting properties. To add a subtle, elegant shimmer, the team developed a brand-new technique for applying pigment to the clearcoat – a process that took several months, including over 3,000 hours of testing and validation alone.

On closer inspection, the motor car’s bonnet is seen to feature a subtle rendering of the Weaving Water motif that appears throughout the interior, produced by carefully redistributing the pigment during the finishing process.

INTERIOR SUITE: THREE-DIMENSIONAL ART
Phantom Syntopia’s interior suite incorporates magnificent features which were co-created in a creative and technical meeting of minds by the Rolls-Royce Bespoke Collective and Iris van Herpen. Some interior elements were handcrafted at the Home of Rolls-Royce by the company’s leading craftspeople working alongside members of Iris van Herpen’s team, while others were created in Iris van Herpen’s Amsterdam atelier, alongside her Haute Couture garments.

Interior of the Rolls-Royce Phantom Syntopia

NEXT CHAPTER IN TEXTILE EXPLORATION
Phantom Syntopia continues the Bespoke Collective’s exploration of textiles. In homage to Rolls-Royce’s heritage, this unique motor car recalls an era where a driver’s seat was trimmed in hardwearing leather and the rear compartment in luxurious, inviting fabrics. The front seats of Phantom Syntopia are finished in Magic Grey leather, distinguished by its lustrous finish. The rear seats are upholstered with a specially created silk-blend fabric, featuring a distinctive pattern which recalls the patterns cast by light reflecting on water at night.

Iris Van Herpin’s Atelier craftsmanship process

The seats are quilted with a Weaving Water motif, inspired by a tufting technique often employed in fine furniture-making in which embroidery is applied to the reverse side of the textile. This creates a three-dimensional depth while achieving a smooth, seamless, uninterrupted surface.

Iris Van Herpin’s Atelier craftsmanship process

PINNACLE LUXURY MEETS HAUTE COUTURE
For a truly Haute Couture experience, Iris van Herpen will design a one-off garment especially for the clients of this transformative commission. The sculptural design of the dress echoes the Weaving Water theme explored in Phantom Syntopia’s Starlight Headliner, featuring an elegant application of the ‘liquid metal’ fabric and the glass organza petals, laser-cut and hand-stitched in a pattern resembling undulating waves. This exquisite garment, reflective of Iris van Herpen’s newly developed Haute Couture techniques, is expected to take around six months of work, including pattern development, crafting and applying the petals, embroidery, fitting and tailoring.

Phantom Syntopia will take its place in the clients’ private collection in May. As a true one-of-one commission, Rolls-Royce has undertaken that it will never be replicated.

Rolls-Royce Motor Cars today unveils Phantom Syntopia, an intricate, Haute Couture-inspired masterpiece created in collaboration with renowned Dutch fashion designer and Haute Couturière Iris van Herpen. Based on Phantom Extended – the ultimate blank canvas for personalization – it is the most technically complex commission ever undertaken by the Rolls-Royce Bespoke Collective. Now, after four years of continuous development, this extraordinary and unique creation is complete; it will soon take its place in the private collection of discerning patrons of the brand.

Phantom Syntopia takes its name from Iris van Herpen’s landmark 2018 collection, designed on the principles of biomimicry in which art is inspired by patterns and shapes found in nature. Like the collection, which comprises a series of highly sculptural garments brought to life through movement, Phantom Syntopia seeks to represent the elusive, ethereal beauty of fluid motion in solid materials through its ‘Weaving Water’ theme.

Iris van Herpen with the Rolls-Royce Phantom Syntopia

“From the very beginning, this truly was a meeting of minds: two luxury houses that share the innovative vision and ambition to transcend the boundaries of luxury design,” says Gavin Hartley, Head of Bespoke Design, Rolls-Royce Motor Cars. “Together, we further explored the potential of Phantom as a perfect canvas for individualization. Phantom Syntopia literally takes Rolls‑Royce interior design into a new dimension with its immersive, sculptural elements, reinterpreting the elusive fragility of nature’s forms in a perfectly engineered reality.”

Torsten Müller-Ötvös, Rolls Royce Motor Cars CEO states, “Phantom Syntopia is the most ambitious, singular and highly Bespoke Phantom we have ever created, and a clear statement of Rolls-Royce’s standing as a true luxury house.”

EXTERIOR COACHWORK: IRIDESCENT MAGNETISM
To create the stunning, shimmering exterior, the Rolls-Royce Bespoke Collective developed a one-off Liquid Noir paint. Iridescent in sunlight, it reveals Purple, Blue, Magenta and Gold undertones when viewed at different angles. To achieve this effect, the marque’s darkest solid-black paint is overlaid with a finish incorporating a mirror-like pigment, selected for its colour-shifting properties. To add a subtle, elegant shimmer, the team developed a brand-new technique for applying pigment to the clearcoat – a process that took several months, including over 3,000 hours of testing and validation alone.

On closer inspection, the motor car’s bonnet is seen to feature a subtle rendering of the Weaving Water motif that appears throughout the interior, produced by carefully redistributing the pigment during the finishing process.

INTERIOR SUITE: THREE-DIMENSIONAL ART
Phantom Syntopia’s interior suite incorporates magnificent features which were co-created in a creative and technical meeting of minds by the Rolls-Royce Bespoke Collective and Iris van Herpen. Some interior elements were handcrafted at the Home of Rolls-Royce by the company’s leading craftspeople working alongside members of Iris van Herpen’s team, while others were created in Iris van Herpen’s Amsterdam atelier, alongside her Haute Couture garments.

Interior of the Rolls-Royce Phantom Syntopia

NEXT CHAPTER IN TEXTILE EXPLORATION
Phantom Syntopia continues the Bespoke Collective’s exploration of textiles. In homage to Rolls-Royce’s heritage, this unique motor car recalls an era where a driver’s seat was trimmed in hardwearing leather and the rear compartment in luxurious, inviting fabrics. The front seats of Phantom Syntopia are finished in Magic Grey leather, distinguished by its lustrous finish. The rear seats are upholstered with a specially created silk-blend fabric, featuring a distinctive pattern which recalls the patterns cast by light reflecting on water at night.

Iris Van Herpin’s Atelier craftsmanship process

The seats are quilted with a Weaving Water motif, inspired by a tufting technique often employed in fine furniture-making in which embroidery is applied to the reverse side of the textile. This creates a three-dimensional depth while achieving a smooth, seamless, uninterrupted surface.

Iris Van Herpin’s Atelier craftsmanship process

PINNACLE LUXURY MEETS HAUTE COUTURE
For a truly Haute Couture experience, Iris van Herpen will design a one-off garment especially for the clients of this transformative commission. The sculptural design of the dress echoes the Weaving Water theme explored in Phantom Syntopia’s Starlight Headliner, featuring an elegant application of the ‘liquid metal’ fabric and the glass organza petals, laser-cut and hand-stitched in a pattern resembling undulating waves. This exquisite garment, reflective of Iris van Herpen’s newly developed Haute Couture techniques, is expected to take around six months of work, including pattern development, crafting and applying the petals, embroidery, fitting and tailoring.

Phantom Syntopia will take its place in the clients’ private collection in May. As a true one-of-one commission, Rolls-Royce has undertaken that it will never be replicated.

In the comments sections on stories here at Hemmings, we euphemize something called “modern traffic.” To be blunt, it means – so often in the United States anyway – distracted drivers breaking the posted speed limit in large, tall vehicles. Even a car with less bulk than a hurtling Ford Super Duty can kill you. In my case: twice, a Dodge Charger. There’s no changing the physics of p=mv, but one can do things to be more visible.

Two Near Misses

My first brush with Newton’s ironclad Second Law happened in 1980, when a pre-grunge, Neil Young version of me sat behind the wheel of my original Buick Apollo. At a three-way intersection, I ran a hand through my long tangled hair and turned off a major road, just as a blindingly orange third-generation Charger ran a stop sign. Might have been a ‘73, with those triple opera windows and white vinyl top. Yes, being a car guy, I noticed this right before I would have T-boned the driver’s door.

A split second later, I floored my Buick’s anemic GM 350. It did have low-end torque, and that may have saved my day. I swerved to cut in front of the Dodge, missing it by less than a foot, then braked hard to avoid an oncoming vehicle, the make and model of which now escape me.

I know that I nearly wet my ripped jeans. I had to pull over and sit still for about five minutes, to find that my battered flannel shirt had been soaked with sweat.

How history repeats itself!

My second near-experiment with the Second Law of Motion occurred last year. As a 60-mph wind blew over my bald head, I barreled down a two-lane in a black Miata we call Marco. I’ve a special fondness for Marco because I used it to learn how to drive stick.

Imagine my flashback to teen terror when a white Charger, of the reborn four-door sort, turned directly in front of me. I had perhaps 40 feet before T-boning the passenger side.

A Miata handles better than any stock Apollo, and with no time to brake, I zigged into the left lane to see a full-size pickup’s battering-ram grille coming at me. The driver–bless him!–saw what was going on and stood on his brakes so I could zag back into my lane. When I cleared him, I think 15 feet separated our sheet metal from a collision at a combined speed of 100 mph. You can do the math to calculate our momentum.

Thank you, Miata handling and my time-honed art of paying attention. In 1974, when mom taught me to drive, she constantly reminded me “Joe, you have to drive everyone else’s car, too.”

The Charger’s driver? Onward, not even knowing what had nearly occurred. No horns, no screeching of tires thanks to ABS in the pickup and two attentive drivers.

When I got home, I decided to sell Marco. I wanted another Miata in a brighter color. Sadly, a Carfax report revealed what I had been too stupid to check when I went over the Miata: several owners back, it had been rebuilt (well) from a salvage title. Its value dropped faster than a cryptocurrency portfolio.

So I was stuck with a car that appears to become invisible under certain conditions. Could I add a giant Hemi-Orange hazard flag to the radio aerial? Sure (but no).

Paint the entire car bright pink?

“Hard no,” as my students say. Yet I suddenly had a plan, beyond following my mom’s maxim.

Striper Joe Tries Reverse Camo

We recently covered an interesting topic: Do stripes help some cars look better? My need was more primal: Do stripes in a bright color mean someone can see me in the Miata and not squish me like a bug?

A contrast stripe works like reverse camouflage: If camo tricks the eye into making an object vanish, then the reverse camo of bright stripes might make a black object stand out against a dark gray road surface, gray tree trunks, and green canopy. I began keeping track of vehicles I noticed casually versus those I don’t. Cowl stripes really seem to help, if their contrast proves great enough.

I hoped. Then I said “Okay, how about stripes and better daytime lights?” My wife crossed her arms and nodded.

Thus I had a plan. If you want to upgrade your classic’s lights or add vinyl stripes, read on.

We once had a local shop called Striper John, and we older car guys made fun of tuner-era cars on which John had gone to work. We’d say that the stripe job and other add-ons ended up being worth more than the Civic.

Whenever we saw a small Japanese car with wild graphics, my buddy Devlin and I joked about Pep Boys racing-stripe tape, of the sort we’d used in the mid-1980s to put cowl stripes over the blue-and-mustard ones that came with his AMC Hornet, bought at an auction from the local phone company. Yes, children, back when dinosaurs walked the earth, we had one phone company and communications devices that worked over something called land lines.

Devlin saw a photo of my current stripe job and noted that duct tape had come a long way since 1985.

AMC Hornet stripes

Little did we know how much “tape tech” and adhesives have changed in four decades, but the art of doing it well still takes a lot of time. Striper John put a lot of painstaking work into applying vinyl stripes. If you’ve not done it, please heed my warnings.

I’d wanted something like the bonnet-to-boot stripes that had been on my Cooper S hardtop and convertible – wide and highly visible. I picked a bright red eight-inch stripe with enough extra in the roll to give me more material if (when) I made a mistake. The plan? One stripe off-center on the passenger side. The kit advised wetting down the stripe with soapy water from a spray bottle, backing side up, while laid on a wet car before peeling the backing and applying the stripe wet, then using an included squeegee to get out bubbles.

This part proved simple. The stripes moved around easily to marks I’d premeasured to keep them aligned. That too was easy, using some masking tape at intervals on the bodywork.

Yes, that all sounds trivial and it looked good, until I hit the wrong curve on the body. Immediately, the stripe stopped laying flat on the wet paintwork. A small corner would poke up. Stretching it only made it worse. So I removed the stripe and played with leftover pieces of various widths, until I realized that a three-inch stripe would work perfectly on the Miata’s curves with a one-inch stripe beside it. Using my wife’s cutting table for fabric plus a T-square left from when I failed out of engineering school, I razor-cut my big stripe into sections and resumed. This yielded about an hour of feeling proud of myself. Then…bubbles.

No matter how careful, you’ll get a few. The smallest, after more squeegee-time and heat-gun drying, got poked and flattened almost invisibly with an airbrush needle, the finest one I own.

Before that, however, I used a heat gun–carefully–to warm the vinyl and set the stripe in place. This stop eliminated bubbles near the edges of the stripes. That detail proved essential, as I found that for ends wrapping around the edge of a hood or trunk, natural drying will not make vinyl adhesive stick. The gun made it tacky, and when the adhesive cured, everything looked factory installed.

heat gun for stripe application

One caveat: too much heat will melt a stripe. I avoided that, but I did score a second-degree burn on my wrist from brushing a still-hot gun. That will leave a scar I’ll carry for a long time. Use gloves or if you switch to working bare-handed on a stripe, put the gun down far from you while it cools down, as you reach for a tool.

Will these vinyl add-ons hold up? So far, they have done well on 55-mph drives. If they peel off? Maybe they will, but I have half a roll left.

stripe application

As a final touch, I used a plastic bezel from my parts box to surround the truck lock. The car’s rear panel had been damaged under prior ownership by a poor DIYer or would-be thief trying to get into the trunk. I sanded the panel flat, filling some of the cracks with a heavy-duty waterproof epoxy before priming with a high-build primer, repainting, clear coating, and wet sanding. With the stripes down, I attached the newly painted black bezel with more epoxy. My model-building skills proved good for something!

With hood and rear stripes done, I moved on to the headlamps before waxing the car’s fading paint job.

What Is a Lumen?

I stupidly thought adding brighter daytime lights would be the hard part. How wrong I was. Compared to striping, I nailed down brighter headlights in an hour.

With a set of foglamps in hand, I pondered when and how I drive the car, almost always in daylight. My foglamps proved a little tedious for running wires and moving the bracket for the license plate, so I focused on replacement bulbs for the existing headlights instead, a bolt-on improvement.

My theory? LED lights, with a bright white and not yellow-white of halogen bulbs, would make excellent daytime running lights. At night, however, LED lights can pose hazards if they get directed into the eyes of oncoming drivers.

That particular hazard, in any case, seems remote for a Miata. Mine sits so close to the pavement that my lights could miss the lower bumper of a new F-150.

LED headlamp conversion

All that won’t help if a state deems LEDs illegal when added to an older car. Virginia allows them as long as 1) the lights are white or amber, and 2) they must follow our other headlight laws, namely “not to project a glaring or dazzling light to persons approaching [the vehicle].”

How bright are LEDs? That depends on the set. Stock lights on most new cars run 2000-4000 lumens. As a point of reference, California limits headlight brightness to just over 2500 lumens. My new lights shine at 4000, compared to the 1500-lumen halogen bulbs they replaced.

Rule of thumb from a web search: One lumen equals the light of a single birthday candle from one foot away.

Now try imagining Methuselah’s birthday cake.

LED headlamp conversion

My fanless LEDs installed without any trouble. I pulled one headlamp cover to see how it all worked, then did the other without removing the assembly from the car. One small snag slowed me down; the heat-sinks at the back of each light required enlarging the opening in Mazda’s rubber dust-boot. I took off as little material as possible, after finding on my daily driver (a Honda CR-V) that if a boot fails to stay snug it lets in moisture and soon, the plastic lenses get condensation inside.

In 10 minutes, I had working lights, but then I went back to add one important element.

LEDs can act oddly without a “driver,” or a resistor, as the company who sold me my lights calls their device. I ordered one for each light. These drivers guarantee a consistent voltage to the headlights, not that LEDs pull a lot. My lights did not have them installed internally, so I had to find spots for two boxes under the hood, each slightly larger than a pack of cigarettes. They bolted to existing places underhood with wiring to spare.

LED headlamp conversion

We find ourselves driving the Mazda more than our older classics for several reasons, such as the car’s airbags and disc brakes, though the drop-top cinches the deal most months of the year.

I now feel a little more secure on the road, but I’m watching out for a third Dodge Charger.

So what have you done to make yourself more noticeable in that “modern traffic” as you pilot a classic car? I’d like to hear your ideas in the comments.

Joe Essid is a part-time farmer and writer based in Goochland County, Virginia. You can follow his exploits at TractorPunk.blogspot.com. He teaches writing and writes about it at the University of Richmond. Currently his research involves the effects of chatbot AI on the teaching and tutoring of writing.

The hardworking staff of Hemmings Auctions is proud to share with you some of the most notable vehicles they have helped to find enthusiastic new homes for over the past week. Forty-eight new vehicle listings launched between Sunday, February 26, and Saturday, March 4. Of those, 26 sold, including eight post-auction Make Offer listings. This equates to a sell-through rate of 54 percent. You can keep abreast of the latest consignments by subscribing to the daily Hemmings Auctions email newsletter.

1950 Chevrolet Styleline De Luxe

1950 Chevrolet Styleline De Luxe Convertible front quarter top down

1950 Chevrolet Styleline De Luxe Convertible interior

1950 Chevrolet Styleline De Luxe Convertible trunk

1950 Chevrolet Styleline De Luxe Convertible engine

1950 Chevrolet Styleline De Luxe

1950 Chevrolet Styleline De Luxe Convertible undercarriage

1950 Chevrolet Styleline De Luxe Convertible rear quarter top up

Reserve: $29,000

Selling Price: $48,825

Recent Market Range: $26,800-$39,500

Little over 34,000 miles showed on the odometer of this pastel-colored postwar Chevy, and its seller claimed that figure was accurate. The never-rusted Styleline De Luxe convertible had received a sympathetic refurbishment that included a single repaint in Mist Green and replacement floor and trunk mats. The factory-installed convertible top and upholstery were claimed to remain, and minor glass delamination was noted, as was a small oil leak from the pan below the 216-cu.in. OHV inline-six engine; the column-shifted 3-speed manual was described as “perfect.” Similarly good were recently replaced shocks and bias-ply tires. After four time extensions, the Styleline had a happy new owner.

1980 Triumph TR8

1980 Triumph TR8 Convertible front quarter top down

1980 Triumph TR8 Convertible interior

1980 Triumph TR8 Convertible engine

1980 Triumph TR8 Convertible trunk

1980 Triumph TR8 Convertible undercarriage

1980 Triumph TR8 Convertible profile top up

Reserve: $10,000

Selling Price: $27,300

Recent Market Range: $8,200-$13,500

To vintage-TR fans, the firm’s last sports car was controversial in looks; time proved its wedge shape was on-trend. Perhaps the aftermarket body kit fitted to this TR8 was a step too far for some, but not for the excited bidders vying for the customized, 3.5-liter Rover V-8-powered convertible. That engine was hopped up with a Holley 4-barrel carburetor, electronic ignition, and dual exhaust, and its attendant 5-speed manual promised smooth shifts. The blue paint, cloth top, and vinyl seat upholstery all looked nice, although the A/C and tachometer didn’t work. Minilite-style alloys mounted older radial tires. The seller engaged with interested parties and the Triumph sold extremely well.

1965 Ford Mustang

1965 Ford Mustang Hardtop front quarter

1965 Ford Mustang Hardtop interior

1965 Ford Mustang Hardtop trunk

1965 Ford Mustang Hardtop engine

1965 Ford Mustang Hardtop undercarriage

1965 Ford Mustang Hardtop rear quarter

Reserve: $44,000

Selling Price: $50,400

Recent Market Range: N/A

The early Mustang will always have a popular following because it was so “right” from the start, having nearly universal appeal. This restored 1965 coupe turned heads with its “show-quality” Guardsman Blue paint over a blue-trimmed white vinyl interior. The automatic-equipped Ford received some new sheetmetal and many correct replacement parts in the course of its rejuvenation. Its engine compartment looked particularly nice, the original 2-barrel, 260-cu.in. V-8 bearing the right stamps and stickers. The undercarriage also looked show-ready and fresh bias-ply tires blended correct looks with ride comfort. For a non-performance version, this well-presented pony car brought a muscular sum.

1957 Cadillac Eldorado Biarritz

1957 Cadillac Eldorado Biarritz Convertible front quarter top down

1957 Cadillac Eldorado Biarritz Convertible interior

1957 Cadillac Eldorado Biarritz Convertible trunk

1957 Cadillac Eldorado Biarritz Convertible engine

1957 Cadillac Eldorado Biarritz Convertible undercarriage

1957 Cadillac Eldorado Biarritz

1957 Cadillac Eldorado Biarritz Convertible rear quarter top up

Reserve: $75,000

Selling Price: $120,915

Recent Market Range: $80,000-$115,000

This top-of-the-line 1957 Cadillac convertible was a genuine museum piece, being sold by a New England-based not-for-profit car museum. It was a real head-turner, with no divulged damage to its paintwork, body chrome, or glass, and its two-tone leather upholstery sported an inoffensive patina. The 325-hp, twin-carbureted 365-cu.in. V-8 was thought to be factory-installed, and while there was no record of a rebuild, it was said to operate without issue. Minor surface corrosion was visible on the undercarriage and the age of the bias-ply tires was unknown. A replacement VIN tag was installed. An impressive 42 bids were needed to win this rare Eldorado Biarritz, which blew past its reserve.

1946 Dodge WC Half-Ton 

1946 Dodge WC Half-Ton Pickup front quarter

1946 Dodge WC Half-Ton Pickup interior

1946 Dodge WC Half-Ton Pickup engine

1946 Dodge WC Half-Ton Pickup wood bed

1946 Dodge WC Half-Ton Pickup undercarriage

1946 Dodge WC Half-Ton Pickup rear quarter

Reserve: $30,000

Selling Price: $31,500

Recent Market Range: $22,000-$33,000

The exterior facade of Hemmings HQ in Vermont wears a rust-patinated front clip of a Dodge truck just like this one, although this 1946 WC Half-Ton is much shinier thanks to its 3-year-old, two-tone paint with only minor blemishes, not to mention the varnished wood bed floor. The restoration afforded this pickup left it in good condition, with an earlier 1941 Plymouth flathead inline-six and 3-speed manual providing motivation. The steering wheel showed some age and the original gauges were replaced with modern custom units, but the upholstery and floor mat looked new. The undercarriage was very clean, and tires had fewer than 200 miles on them. This truck reached the top of its range.

1940 Ford DeLuxe

1940 Ford DeLuxe Convertible Club Coupe front quarter

1940 Ford DeLuxe Convertible Club Coupe interior front

1940 Ford DeLuxe Convertible Club Coupe rear seat

1940 Ford DeLuxe Convertible Club Coupe engine

1940 Ford DeLuxe Convertible Club Coupe undercarriage

1940 Ford DeLuxe

1940 Ford DeLuxe Convertible Club Coupe rear quarter

Reserve: $47,000

Selling Price: $51,450

Recent Market Range: $44,100-$62,500

“The style leader in its price class” was how Ford advertised its Deluxe V-8 for 1940, the year this Convertible Club Coupe left the factory. Among its new features were a column shifter for the three-speed manual transmission and sealed-beam headlamps, both present on this restored-to-stock, rust-free example. Its paint was described as “very good,” the fabric top said to be new, and the seats looked nice; some paint chips marred the steering wheel and dashboard. A bit of firewall paint was flaking off under the hood, but the 221-cu.in. flathead V-8 promised to run and drive well, with two drivetrain leaks divulged. This sold in the heart of its market range as a Make Offer listing.

The 2023 Formula 1 World Championship got underway on Sunday with the Bahrain Grand Prix, held at the Bahrain International Circuit.

Red Bull Racing was the dominant team, with reigning world champion Max Verstappen leading a one-two finish ahead of Sergio Perez, who came in 12 seconds behind.

Rounding out the top three was Fernando Alonso, racing for the first time at Aston Martin. The double world champion finished approximately 38 seconds behind the winner.

Red Bull locked out the front row of the starting grid, with Verstappen on pole and quicker than his teammate off the line when the lights turned green. Perez got bogged down and lost a place to Ferrari’s Charles Leclerc and was left trying to defend third place from Ferrari’s other man, Carlos Sainz.

2023 Formula 1 Bahrain Grand Prix

Behind them, Aston Martin’s Lance Stroll came into contact with Alonso while entering Turn 4, which allowed Mercedes-Benz AMG’s Lewis Hamilton and George Russell to get ahead. Alonso then put on a great battle to first pass Russell and then Hamilton.

In front it was a lonely race for both Verstappen and Perez. There was trouble for Leclerc, though. After putting some pressure on Perez, the Ferrari driver was forced to retire on lap 41 after his car came to a stop. This freed up third place for Sainz but he didn’t hold it for long as Alonso manged to pass him and secure the final podium spot just four laps later.

Other impressive runs came from Williams’ Alexander Albon, who finished 10th, and U.S. driver Logan Sargeant, who in his F1 debut finished 12th for Williams. Fellow rookies Nyck de Vries and Oscar Piastri had opposing results. While Piastri had to retire on lap 14 after his McLaren failed to start following a steering wheel change, de Vries drove a solid race to finish 14th in his AlphaTauri.

Following the past weekend’s action, Verstappen leads the 2023 Drivers’ Championship with 25 points. Perez is second with 18 points and Alonso third with 15 points. In the Constructors’ Championship, Red Bull leads with 43 points, versus the 23 of Aston Martin and 16 of Mercedes. The next race on the calendar is the Saudi Arabian Grand Prix in a fortnight.

Fernando Alonso at the 2023 Formula 1 Bahrain Grand Prix

Below are the full results from the 2023 Formula 1 Bahrain Grand Prix:

1) Max Verstappen, Red Bull Racing
2) Sergio Perez, Red Bull Racing +11.987 seconds
3) Fernando Alonso, Aston Martin +38.637 seconds
4) Carlos Sainz, Ferrari +48.052 seconds
5) Lewis Hamilton, Mercedes-Benz AMG +50.977 seconds
6) Lance Stroll, Aston Martin +54.502 seconds
7) George Russell, Mercedes-Benz AMG +55.873 seconds
8) Valtteri Bottas, Alfa Romeo +72.647 seconds
9) Pierre Gasly, AlphaTauri +73.753 seconds
10) Alexander Albon, Williams +89.77 seconds
11) Yuki Tsunoda, AlphaTauri +90.870 seconds
12) Logan Sargeant, Williams +1 lap
13) Kevin Magnussen, Haas +1 lap
14) Nyck De Vries, AlphaTauri +1 lap
15) Nico Hulkenberg, Haas +1 lap
16) Zhou Guanyu, Alfa Romeo +1 lap
17) Lando Norris, McLaren +1 lap
NC) Esteban Ocon, Alpine – DNF
NC) Charles Leclerc, Ferrari – DNF
NC) Oscar Piastri, McLaren – DNF

This article was originally published by Motor Authority, an editorial partner of ClassicCars.com.

The 2023 Formula 1 World Championship got underway on Sunday with the Bahrain Grand Prix, held at the Bahrain International Circuit.

Red Bull Racing was the dominant team, with reigning world champion Max Verstappen leading a one-two finish ahead of Sergio Perez, who came in 12 seconds behind.

Rounding out the top three was Fernando Alonso, racing for the first time at Aston Martin. The double world champion finished approximately 38 seconds behind the winner.

Red Bull locked out the front row of the starting grid, with Verstappen on pole and quicker than his teammate off the line when the lights turned green. Perez got bogged down and lost a place to Ferrari’s Charles Leclerc and was left trying to defend third place from Ferrari’s other man, Carlos Sainz.

2023 Formula 1 Bahrain Grand Prix

Behind them, Aston Martin’s Lance Stroll came into contact with Alonso while entering Turn 4, which allowed Mercedes-Benz AMG’s Lewis Hamilton and George Russell to get ahead. Alonso then put on a great battle to first pass Russell and then Hamilton.

In front it was a lonely race for both Verstappen and Perez. There was trouble for Leclerc, though. After putting some pressure on Perez, the Ferrari driver was forced to retire on lap 41 after his car came to a stop. This freed up third place for Sainz but he didn’t hold it for long as Alonso manged to pass him and secure the final podium spot just four laps later.

Other impressive runs came from Williams’ Alexander Albon, who finished 10th, and U.S. driver Logan Sargeant, who in his F1 debut finished 12th for Williams. Fellow rookies Nyck de Vries and Oscar Piastri had opposing results. While Piastri had to retire on lap 14 after his McLaren failed to start following a steering wheel change, de Vries drove a solid race to finish 14th in his AlphaTauri.

Following the past weekend’s action, Verstappen leads the 2023 Drivers’ Championship with 25 points. Perez is second with 18 points and Alonso third with 15 points. In the Constructors’ Championship, Red Bull leads with 43 points, versus the 23 of Aston Martin and 16 of Mercedes. The next race on the calendar is the Saudi Arabian Grand Prix in a fortnight.

Fernando Alonso at the 2023 Formula 1 Bahrain Grand Prix

Below are the full results from the 2023 Formula 1 Bahrain Grand Prix:

1) Max Verstappen, Red Bull Racing
2) Sergio Perez, Red Bull Racing +11.987 seconds
3) Fernando Alonso, Aston Martin +38.637 seconds
4) Carlos Sainz, Ferrari +48.052 seconds
5) Lewis Hamilton, Mercedes-Benz AMG +50.977 seconds
6) Lance Stroll, Aston Martin +54.502 seconds
7) George Russell, Mercedes-Benz AMG +55.873 seconds
8) Valtteri Bottas, Alfa Romeo +72.647 seconds
9) Pierre Gasly, AlphaTauri +73.753 seconds
10) Alexander Albon, Williams +89.77 seconds
11) Yuki Tsunoda, AlphaTauri +90.870 seconds
12) Logan Sargeant, Williams +1 lap
13) Kevin Magnussen, Haas +1 lap
14) Nyck De Vries, AlphaTauri +1 lap
15) Nico Hulkenberg, Haas +1 lap
16) Zhou Guanyu, Alfa Romeo +1 lap
17) Lando Norris, McLaren +1 lap
NC) Esteban Ocon, Alpine – DNF
NC) Charles Leclerc, Ferrari – DNF
NC) Oscar Piastri, McLaren – DNF

This article was originally published by Motor Authority, an editorial partner of ClassicCars.com.

Not all T-birds are created equal. For 1957, there were several engines that made the two-seater a true performance car.

This rotisserie-restored 1957 Ford Thunderbird featured on AutoHunter, the online auction platform driven by ClassicCars.com, is reportedly one of fewer than 1,500 produced with the E-code 312 V-8 — that’s 270 horsepower from dual-quads. This car has been in the possession of the current owner for 30 years. Features include three-speed manual transmission with overdrive, Town & Country AM radio, rear fender skirts, wire wheels and power brakes. Finished in Thunderbird Bronze and equipped with a tan top over copper vinyl interior, this award-winning Thunderbird comes from the selling dealer with the original wheels and wheel covers, original invoice (which confirms the E-code engine status), restoration photos and a clear title.

The frame-off rotisserie restoration was completed in the late 1980s by Mitch’s T-Birds of Paramount, California. The exterior was refinished in the original (code Q) Thunderbird Bronze. Features include driver-side mirror, tan canvas folding convertible top with plastic rear window, color-keyed rear fender skirts, and reverse lights. The selling dealer states that there is faded paint on a rear fender and a blemish behind the passenger seat under the top.

A set of chrome Kelsey-Hayes-style wire wheels is wrapped in whitewall radial tires.

The (code XJ) copper vinyl interior was redone during the restoration. Features include manual steering and brakes. A Town & Country AM radio handles the audio playlist.

A 140-mph speedometer, 5,000-rpm tachometer, gauges for the fuel level and temperature, and clock can be found on the instrument panel. A Town & Country AM radio handles the audio playlist. The odometer reads 1,275 miles, but the true mileage on this vehicle is unknown.

Power is provided by the optional 270-horsepower 312 V8 topped by a pair of Holley carburetors and paired with a three-speed manual transmission with overdrive. Features include finned aluminum valve covers, aluminum dual-quad intake manifold, and special air cleaner housing for the carburetors.

This Thunderbird was factory-equipped with an independent front suspension and a solid rear drive axle. Braking is handled by four-wheel manual drums.

The selling dealer states this Thunderbird has won multiple Gold Medallion awards at Thunderbird events. Included in the sale is the original invoice, original wheels and wheel covers, and restoration photos, plus clear title.

This 1957 Ford Thunderbird’s auction ends on Monday, March 13, 2023, at 4:40 p.m. (MST)

Visit the AutoHunter listing for more information and photo gallery

A 1935 Voisin C25 Aerodyne and a 1964 Ferrari 250 LM received honorable Best in Show awards at the 28th annual Amelia Concours d’Elegance on Sunday, March 5th. The two award winners were chosen amongst a field of 260 historically significant vehicles spread across 32 classes. The featured classes had something for every enthusiast, including numerous Pre- and Post-War Race Car categories, Le Mans Winners, Historic ‘50s Customs, Fiberglass Dreams, 120th Anniversary of Buick, and Supercars Limited Production.

2023 Amelia Concours du2019Elegance Best in Show Winners: 1935 Voisin C25 Aerodyne and 1964 Ferrari 250 LM

2023 Best in Show: Concours d’Elegance

The 1935 C25 Aerodyne drove away with the 2023 Best in Show Concours d’Elegance trophy. Displayed by Merle and Peter Mullin of Oxnard, California, the Aerodyne was Voisin’s “Car of the Future,” with a focus on aerodynamics. The streamlined Aerodyne cut a profile unlike any other car of its time with its high waistline, skirted rear fenders, low faired-in headlights, and power retractable roof. Only 28 C25s were produced, six of which were Aerodynes. This example is just one of four survivors known to exist.

“We had some serious contenders and I am honored that they chose us to win,” said Best in Show – Concours d’Elegance winner Merle Mullin. “I have the blessing of being married to a passionate collector who has never restored a car with an eye to winning a prize. His intention is always to restore a car to its historical correctness. But winning a prize is always greatly validating.”

2023 Best in Show: Concours de Sport

Displayed by the Indianapolis Motor Speedway Museum, this legendary 1964 Ferrari 250 LM earned the 2023 Best in Show Concours de Sport award. In 1965, the one-year-old 3.3-liter V-12 underdog was privately entered into the 24 Hours of Le Mans with future world champion driver Jochen Rindt of Austria behind the wheel for the overall win. The pair completed 347 laps of the 8.365-mile circuit, averaging 120.944 mph over 24 hours. The unexpected win caused a stir amongst the Ford vs. Ferrari factory team entries, and the victory still marks the last time a Ferrari won overall at Le Mans.

In the years after its 1965 victory, this 250 LM competed at the 24 Hours of Daytona in 1966 and 1968. It returned to the 24 Hours of Le Mans in 1968 and 1969, before its final race at the 1970 24 Hours of Daytona, where it finished seventh. After the 1965 victory, the Ferrari went on to race at the 1966 and 1968 24 Hours of Daytona, and then returned to the 24 Hours of Le Mans for 1968 and 1969. It took 7th place at the 1970 24 Hours of Daytona during its final race, and it headed to the Indianapolis Motor Speedway Museum soon after.

“This win is very special and was a complete surprise,” said Jason Vansickle, Vice President, Curation and Education, Indianapolis Motor Speedway Museum. “Obviously the car speaks for itself – the last Ferrari to win outright at Le Mans, and it’s just one of the many prestigious cars we have at the Indianapolis Motor Speedway Museum.”

Ford produced the Model A in abundance from 1928 through 1931, and in a wide variety of styles to boot. The Model A seemingly has something for everybody. But what if you’re not everybody and want something truly different?

Enter this thoroughly customized 1931 Ford Model A speedster. Truly unique, it sports a handmade aluminum body inspired by the racing greats of Indianapolis and Europe from the era, along with an interior with custom bucket seats for two and an engine-turned dash.

Mechanically, the seller—who built the car—has added a variety of upgrades to the factory 40hp 201-cu.in. flathead four that remains the speedster’s motivation. Those upgrades include a new fuel tank with electric fuel pump, electronic ignition, an electric water pump, an electric fan, and an aluminum radiator.

Though the engine itself and the transmission remain unmodified, the seller promises spirited driving given the significantly lighter overall weight of the purpose-built car. It remains street legal, too, and is sold complete with a Florida title.

The world is awash in Ford Model A hot rods with flathead and newer V-8 engines. Instead of pounding the throttle a quarter-mile at a time, why not imagine yourself tackling your favorite twisty road or even the two-and-a-half miles of the Brickyard in this inspired build?

1931 Ford Model A speedster for sale on Hemmings Auctions

1931 Ford Model A speedster for sale on Hemmings Auctions

1931 Ford Model A speedster for sale on Hemmings Auctions

1931 Ford Model A speedster for sale on Hemmings Auctions

Head on over to Hemmings Auctions, take a look at this 1931 Ford Model A Speedster, and leave a comment letting us know what you think.