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Convenience, durability, usability and most of all, reliability. These were the main goals of our Project Rampart track support build. Starting with a showroom new Dodge Durango SRT Hellcat ensured that our performance and reliability concerns would be covered. Then, add in a top-notch designer, and a crew of skilled fabricators, and from concept to reality, our vision was coming to fruition.

In episode 4 of Project RAMPART we take a deeper dive into what the team went through to get the Durango to this point. We then talk about adding more power thanks to the folks at Direct Connection, and then address how all our aftermarket parts were hard mounted to our roof rack and cargo glide system, so that when we decide to unleash the Durango Hellcat’s full 710-horsepower and 650 pound-feet of torque, that they would remain securely in place.

As late as the first part of this month, most people who knew what a McQuay-Norris was believed that just one of the six such cars built still existed. That’s understandable, given that for many years most people believed none of the cars had survived. Yet at the three-day dispersal of much of the late Mark Smith’s collection last week, a second McQuay-Norris streamliner resurfaced and subsequently sold for $57,500 despite its dilapidated state.

In the early Thirties, the McQuay-Norris company of St. Louis saw opportunity in the hardships that people across the country suffered. More car owners were stretching their dollars by running their cars longer and rebuilding their cars’ engines, and McQuay-Norris offered just the wear items needed—pistons, rings, bearings—to make that happen. To publicize the company’s products across the country, McQuay-Norris’s executives approved a small fleet of teardrop-shaped cars to capitalize on the streamlining trend.

The McQuay-Norris looked suspiciously like Lyman Voelpel’s 1932 Arrow Plane with their bodies more like blimp gondolas, their wheels in pods separate from the body envelope, and their doors mounted amidships. That’s no coincidence, given that Hill Auto Body Metal Co. of Cincinnati built both and that Hill Auto Body owner John A. Hill worked with McQuay-Norris’s chief engineer, Arden Mummert, on the McQuay-Norris car’s design.

While the Arrow Plane used a rather unconventional drivetrain with a Miller overhead-valve-equipped Ford four-cylinder engine mounted in the rear and driving the front wheels (similar to the Dymaxion, another streamlined car that appeared at roughly the same time), the McQuay-Norris cars—at least one of which was built in 1933, with the rest coming along in 1934—used essentially stock 1932 and 1933 Ford V-8 chassis with front-mounted engines and rear-wheel drive. The driver sat in essentially the same place as in a stock Ford sedan, though it seemed so much farther back due to the plexiglas curved windshield that extended far forward of the cowl. Hill fabricated the bodies out of aluminum over steel framework and installed a set of 15 gauges (among them a blowby meter, exhaust gas analyzer, viscometer, exhaust temperature gauge, compression gauge, vacuum gauge, oil level gauge, oil pressure gauge, oil temperature gauge, water temperature gauge, ammeter, odometer, and speedometer) in a mahogany dash panel. Other than engine rebuilds using McQuay-Norris products and General Jumbo tires, everything underneath remained stock Ford. While McQuay-Norris commissioned just six of the cars, the company had them lettered with numbers 9 through 15, presumably to give the appearance of more such cars on the road.

Hill Auto Body Metal-built McQuay Norris

Hemmings file photo

And put them on the road McQuay-Norris did, though not for any real testing or performance purposes. (According to Robert Gottlieb’s article on the cars in the December 1972 issue of Special Interest Autos, McQuay-Norris had another fleet of test vehicles and instructed its drivers not to discuss improvements in top speed or mileage as a result of the streamlined bodywork.) Instead, the company hired young, college-age men to drive the six cars across the United States and Canada and function as door-to-door salesmen, stopping at every garage, repair shop, and parts store to hype up McQuay-Norris products. As one of those salesmen told Gottlieb, he made a lot of calls—typically 18 to 20, but as many as 36 per day—and would often just set up in town squares and wait for the general public to flock to the unusual car. The cars even made appearances at the Indianapolis 500 and, presumably, other major motorsports events.

“There was no rear window, [so] we used rear-view mirrors on the outside,” driver George Leutwiler told Gottlieb. “These cars were easy to drive, but they had some peculiarities. For instance, you needed good shocks or the car would dance around a lot because of the donut tires. There was no backseat, but there was room for the blowby meter and one suitcase behind the driver. All of us driving these cars were college graduates, and we kept records on operations.”

Mark Smith McQuay-Norris

Mark Smith McQuay-Norris

Mark Smith McQuay-Norris

Mark Smith McQuay-Norris

Mark Smith McQuay-Norris

Mark Smith McQuay-Norris

Mark Smith McQuay-Norris

Mark Smith McQuay-Norris

Mark Smith McQuay-Norris

Mark Smith McQuay-Norris

Mark Smith McQuay-Norris

The McQuay-Norris streamliners remained on the road through 1940, presumably racking up enough miles over that time to warrant scrapping all of them for the war effort. Leutwiler told Gottlieb that the company sold them off one by one, with some going on to second lives as delivery trucks, and one even becoming a sign above a mechanic’s shop. By the time Gottlieb wrote his article, he couldn’t turn up any survivors.

As longtime Hemmings Motor News subscribers know, however, one did turn up in the late Seventies in the collection of Michael Shoen, who had Elwood Pulled restore it. That car, lettered as car number 9, became part of the Hemmings Motor News collection before eventually making its way to Jeff Lane of the Lane Automotive Museum, who drove it in the 2005 Great Race from Washington, D.C., to Tacoma, Washington. It remains in the Lane collection, and when Barcroft Cars profiled it for the Ridiculous Rides video series in early October, it reported that Lane’s was the only McQuay-Norris in existence. Our own Mark McCourt reported the same in his 2018 profile of the McQuay-Norris streamliners.

It’s unknown how long Mark Smith had owned this other McQuay-Norris streamliner or from whom he obtained it or even why Smith—a popular figure in the collector-car world who died in November 2021—didn’t widely publicize the fact that he owned the car. Polk Auction Company, which ran the Mark Smith auction, has promised to follow up with information on this McQuay-Norris from Smith’s archives. It’s missing a number of unique trim pieces along with the grille, the wraparound windshield, and its suite of instruments, but the body remains complete and it still sits on a flathead-powered Ford chassis. While it wasn’t the top seller of the auction at $57,500 (a 1937 Airstream Clipper sold for $155,000), it handily beat out the more complete and unusual four-wheeled vehicles at the sale, including a Dick Guldstrand-built 1968 Chevrolet Camaro Z/28 that sold for $30,000, a mid-Thirties Chevrolet Coca-Cola delivery truck complete with cases and bottles that also sold for $30,000, and an all-original 1942 Buick Super Sedanette that sold for $16,000.

For full results from the Mark Smith sale, visit proxibid.com.

Its story begins as so many others do in our hobby, with fond childhood memories of a favored family vehicle, and ends with the restored car before you on these pages. Filling in the middle are tenacity, luck, and some clever workarounds. This first-year Kaiser-Frazer Henry J Deluxe is a rare survivor that was brought back to as close-to-stock condition as its dedicated owner could reasonably make it, and it represents a decades-held dream come true.

John Kunkel recalls the Henry J sedans that passed through the hands of his father and older brother, especially the new 1953 Corsair Deluxe that was, in its day, the Kunkel family motor. This gearhead from youth has owned and appreciated many other types of vehicles, but that economy car from the postwar independent automaker has a special place in his heart. “I’ve been going to car shows for years, and you see so many Chevelles, so many Mustangs, so many Camaros, so many Corvettes. After a while, they become so common,” John muses. “I personally like cars that are different, unusual, that you don’t see often.”

In a conversation with his son circa 2012, John mentioned he’d buy a Henry J if he found one, but he had a particular specification in mind: It would need to be an early 1951 Deluxe model, the one without an external trunk opening, but with the straight-six engine and an overdrive transmission. “That narrowed it down pretty hard,” he recalls with a smile. “My boy found this car on the Internet, for sale out in Colorado.”

Color image of a 1951 Henry J Deluxe parked in a garage pre restoration, front 3/4 position.

The Henry J, purchased sight-unseen, spent some 25 years in storage in New Mexico before it lived in Colorado, explaining its sunbaked appearance. It rolled on 14-inch wheels, but the car’s new owner had correct 15-inch versions in his family’s parts stash.

The Restoration

Color image of the floor, dash and steering wheel area in a 1951 Henry J during its restoration, seats removed.

One of the more unusual aspects of this car was the custom interior its previous owner had installed. He’d replaced the headliner, door and rear side panels, and the dashboard’s knobs with wooden facsimiles. John disassembled everything for the restoration.

The Restoration

Color image of a 1951 Henry J Deluxe undergoing restoration, floor and frame highlighted, seats removed, dash visible.

John opted to leave the Henry J’s body attached to its frame to avoid misalignment as he removed rusted passenger-floor sections using a metal cutting wheel, and MIG-welded replacement sheetmetal he’d harvested from a Comet and bent on his homemade metal brake.

The Restoration

Color image of a 1951 Henry J under restoration, wheel/tire removed, on blocks, panels removed, seats removed, profile view.

With the frame and suspensions exposed, the components were cleaned and treated with chassis-black paint. John ran new brake lines and replaced the master and wheel cylinders. Tubular rear shocks were easier to source than the fronts, which came from Monroe.

The Restoration

Color image of 1951 Henry J body panels on a trailer during the restoration of a 1951 Henry J Deluxe, fender, quarter etc...

Every panel that could be removed from the body shell was, and each was treated individually. This ensured complete paint coverage from every angle, minimizing the possibility of future corrosion, and also eliminated the need to redo large areas if a flaw occurred.

The Restoration

Color image of a 1951 Henry J with body panels reinstalled during its restoration, wheels removed, on blocks, rear 3/4 view.

John re-hung the fenders as he worked his way around the Henry J. Before he painted the interior, he had to weld up the screw holes in the roof supports, side panels, and rear floor that resulted from the last owner having used wood instead of correct materials.

Finding the right Henry J

The Deluxe that would soon relocate to south-central Pennsylvania ticked all the right boxes. It was one of 43,442 1951 models in this trim powered by the Willys-built “Kaiser Supersonic” 161- cu.in. flathead inline-six that sported a 3.12 x 3.50-inch bore and stroke, 7:1 compression ratio, and 1-bbl Carter YF carburetor. When the 2,341-pound car was new, the engine’s conservative output—80 horsepower at 3,800 rpm and 133 pound-feet at 1,600 rpm—provided adequately peppy performance with help from the column-shifted three-speed manual transmission with Borg-Warner overdrive. That desirable option allowed the six-cylinder Henry J to comfortably cruise at 55 mph, a speed with which its unassisted nine-inch drum brakes could readily cope.

John did something he says he wouldn’t do again, though it worked out in this instance: He bought the 1951 Henry J sight-unseen. “The guy I spoke with seemed like an honest man. He said the car ran, but not good. It stopped, sorta. It needed some work but was originally a Southwestern car and there wasn’t a lot of rust. I figured, if they’re that hard to come by and I’m going to get one, now’s the time to do it,” he tells us.

Color closeup of the engine bay in a 1951 Henry J Deluxe

This car’s 161-cu.in. straight-six was a set of points and a new muffler away from running well. Its Carter carburetor and ancillaries would be rebuilt.

Color closeup of the engine bay in a 1951 Henry J Deluxe

Color closeup of the engine bay in a 1951 Henry J Deluxe

Evaluating and rebuilding the Supersonic six-cylinder

Once the car was delivered, its new caretaker wasted no time in evaluating his purchase and diving into its restoration. He’d bought a reasonably complete J with recently recovered seats, and, oddly, timber trimmings throughout the interior including a wood-slat headliner, wood side panels, and matching dash knobs.

“It would start and run, but not very well. When you revved it, it started breaking up,” John remembers. “The first thing I did was an engine compression check; surprisingly, the compression was great on all six cylinders. So I checked the timing and vacuum, and found the points in the distributor were cheap replacements. I put in the proper points that had more spring tension, which stopped them floating due to low spring pressure. That made a big difference, but it still wasn’t right. I kept working on it and took off the exhaust system. I found the muffler was really heavy. I cut the top off and found it was jam-packed full of nuts! Replacing the exhaust system made all the difference— it ran like a top!”

As he worked on the engine, John came to believe it had previously been rebuilt since there was very little sludge in the oil pan and each component had been repainted. The transmission was likely given the same treatment since it showed no signs of typical Henry J first gear and synchronizer wear. The overdrive wasn’t working, but studying a shop manual’s wiring schematic clarified why: Improperly connected wires had shorted out its governor. John didn’t trust the rest of the car’s 60-year-old wiring, so he made a replacement harness. He would also rebuild components like the carburetor, generator, starter, and the distributor, and source new brake hydraulic lines and cylinders, plus new Monroe front tubular shocks.

Color closeup of the grille and head lamp on a 1951 Henry J Deluxe.

Color closeup of the Henry J script on a 1951 Henry J Deluxe.

Color image of the hood spear on a 1951 Henry J Deluxe.

Color image of the wheel and tire on a 1951 Henry J Deluxe.

Bodywork using homebuilt tools

The Kunkel family’s history with this model benefitted our feature car, since both John’s father and brother had stashes of spare parts that were crucial in this restoration, including that shop manual. He’d also been collecting Henry J parts when he came across them in hopes of someday having his own to restore. A derelict 1963 Mercury Comet belonging to John’s son would prove useful when it came to sourcing sheetmetal to replace corroded sections of the passenger-side floor and rocker panel.

Early 1950s Kaiser-Frazer cars don’t enjoy the replacement parts support of collectibles like the Ford Model A and MGB, so John had to get creative at many points in the restoration process. He found that the roof and trunklid sheetmetal of that Comet were reasonable approximations of the Henry J’s own, so he used a metal cutting wheel to harvest sections that he then re-formed in the homemade sheetmetal brake he made using three pieces of four-foot-long angle iron, a hinge, and C-clamps. “It was a bit crude, but they bent up nicely,” he says modestly; “The metal was a good-enough gauge that you could hammer it and weld without it burning through.” John left the Henry J’s two-door body on the frame to ensure it would remain square as he cut out and MIG-welded back those sections of passenger floor and sill.

Having completely disassembled the sedan before repairing its relatively minor rust, John began painting each piece individually. Rather than return it to the factory shade of pale green he didn’t like, he chose to spray the body in Ford’s classic Wimbledon White acrylic enamel, of which he purchased two gallons. “I like the clean look of that color, and considering I was painting it myself, outside, white hides a lot of flaws that would be very obvious in dark colors,” he admits. “I’d take a fender out on a nice day and prime it, sand it, and then paint it. The next day I’d paint another fender, a door, or the hood. It’s not the best way to work, but I found if you have a bad day and things don’t go right, you don’t screw up the whole job, just one panel. Doing it individually, you also have paint behind door hinges, inside and outside every panel, and from every different angle. You can’t do that when the car is all together.”

Color image of the dash, steering wheel, seat, door panel, floor, pedals, interior and more in a 1951 Henry J Deluxe.

This Henry J’s previous owner had reupholstered the seats, but John would have to replace interior side panels and headlining using proper automotive materials. He opted to fit carpet instead of rubber mats.

Color closeup of the rear seat in a 1951 Henry J Deluxe.

Color closeup of the trunk and spare in a 1951 Henry J Deluxe.

Color closeup of the door panel in a 1951 Henry J Deluxe

Color image of the dash instrument cluster in a 1951 Henry J Deluxe.

Color closeup of switches and knobs on the dash of a 1951 Henry J Deluxe.

Color closeup of the steering wheel and center cap emblem in a 1951 Henry J Deluxe.

A DIY interior with professional results

That the front and folding rear bench seats were already restored with white vinyl upholstery took one large task off John’s plate, but he had a lot to contend with in returning the rest of the interior to its correct state. He opted to fit custom-sewn aftermarket carpet to the floor rather than the original-type rubber mats to improve sound deadening and reduce the chance of condensation corrosion. New door and rear side panels were made from 1⁄8-inch Masonite that John glued automotive-grade material to using adhesive spray; that material was also used to cover the spare wheel that resides in the 15-cu.ft. cargo area behind the rear seat.

Another custom installation was the five-bow fabric headliner, made by a talented seamstress in North Carolina. “I’d never installed a headliner in my life, but she did a nice job and it fit right up,” he says with a smile. Unfortunately, factory Henry J dashboard choke, heater, headlamp, and other knobs have eluded John to this point, but he’s made do with generic items that, to the untrained eye, look stock.

The attractive styling of this demure compact—squint at the greenhouse and finned fenders, and it could be a scaled-down 1948 Cadillac coupe—was set off with minimal but impactful brightwork. John faced yet another challenge when it came to the dented and bent front bumper. “The chrome shop redid the back bumper, grille, and other parts, but said they wouldn’t touch the front bumper,” he recalls. “I searched for a replacement but couldn’t find one in better shape, so I spent several weeks working on that thing—straightening, pulling, twisting, and grinding. The front bumper isn’t as thick as it used to be, but when I took it back, they re-chromed it.”

Color image of a 1951 Henry J Deluxe parked in front of trees and a house in a profile position.

Color image of a 1951 Henry J Deluxe parked in front of trees in a rear 3/4 position.

Wrapping up the restoration

It’s the details that meant the most to John as he wrapped up the three-year restoration process. His beloved Henry J once again rides on factory 15 x 5-inch wheels, which came from the Kunkel parts stashes, replacing the incorrect 14-inch wheels that were on the car when he received it. The previous owner thankfully still had the correct full wheel covers, and kindly sent them to John at no additional cost.

In the years since the work was finished, the smallest Kaiser-Frazer has turned heads and inspired discussions. “Older people who remember the Henry J from back in the day offer a lot of nice comments,” he tells us. “I’ve heard, ‘I haven’t seen one of those in 25 years!’ It seems most that you see today will have a big V-8 under the hood, the firewall and dash are cut, it’s got big tires on the back. Drag strips cleaned out the Henry J’s back in the 1960s, and it’s unusual to spot a stock one. Mine’s not 100-percent, but it’s a lot closer to being there than most.

“When you see the car up close, it’s far from perfect, but I’m happy with it,” John continues. “I mean, I built the thing in my garage, painted the car outside piece by piece, and put it back together. It’s not professional, but it’s mine.”

[Editor’s Note: Our regular I Was There feature in Hemmings Classic Car invites those who worked for the carmakers or adjacent industries to tell their stories. Scott Huntington, who hauled new cars and trucks for Maris Transport, shared his story along with far more photos than we had room to publish in the pages of the magazine, all of which we’re posting here. If you would like to share your experiences—good or bad—for I Was There, email us at editorial@hemmings.com.]

I retired during 2021 after working 33 years in the trucking industry. My first trucking job was driving car carriers for Maris Transport; a long-since defunct company that was based in Oakville, Ontario. It was only a stone’s throw from Ford of Canada’s Oakville Assembly Plant and Ontario Truck Plant.

It began when I earned my Class-A license at the age of 25 on April 20, 1988, after which I started working for Maris on June 20. At the time, there were 177 drivers working for the company, and even though two others began work on the same day, I was number 177 on the seniority list during my first month or so. The job required six weeks of training that paid $8.00 an hour. After successfully completing the training, we would be admitted into the union: Teamsters Local 938.

The first two weeks of training occurred in the Oakville storage yard, where we learned how to load and unload various types of car-hauling equipment, beginning with combos, on which the entire load, except for one car above the cab, was on the trailer. Another was stingers, on which there were three or four cars on the tractor section, depending on the design of the equipment, and the rest of the load was on the trailer, which was attached to the tractor at a point behind the drive axles only inches above the ground. During weeks three and four, we worked at the releasing yard at Ford, helping other drivers load their trucks, and for weeks five and six, we went out on the road with other drivers to learn the rest of the job.

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

Once training was finished, we were on the road solo. Maris dispatchers would start calling the senior drivers at about midnight to offer loads, and they would get to the bottom of the list between five and six in the morning. Sometimes we were offered non-driving work, such as manning the fuel pumps at the terminal, or working as a yard man at one of the nearby assembly plants. This was hourly work that paid $15.61 an hour that was raised to $16.61 after a brief strike in the late winter of 1989.

When driving, we were paid $2.50 per car for dock loading, which was done at a releasing yard where there were yard personnel to bring the cars to our trucks, in the order we wanted, backed or driven in as specified. The pay was $5.00 per car for ground loading at a storage yard where the driver had to wander the yard and get the cars that were being loaded; $0.36 per mile loaded (even one car left on the truck was considered loaded miles); $0.31 per mile empty and $5.00 per delivery stop. If one of the vehicles on the load was a full-size supercab pickup, or another larger vehicle that took the space of two cars, a premium of $5.00 was paid for loading.

When we were loading at Oakville, we were loading non-clearcoat Ford Tempos and Mercury Topazes built at the Oakville Assembly Plant (clearcoat cars were built in Kansas City, Missouri, and brought in by rail). F-Series trucks were built next door at the Ontario Truck Plant, as well as U.S.-built vehicles, such as Aerostars and Rangers brought in from the States by rail.

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

We also hauled Jeep YJs out of Brampton, which I was told at the time was the only plant in the world building that body style, for all world markets. That plant was closed and torn down in the early ’90s. We hauled Eagle Premiers out of the brand-new plant in nearby Bramalea, which had been recently acquired with Chrysler’s purchase of AMC; the plant now builds Dodge Challengers and Chargers, as well as Chrysler 300s. And we hauled imports, mainly Hyundai Excels and Nissan 240SXs at a receiving yard in Mississauga.

Since all these plants also built vehicles for the U.S. market, we took loads of those vehicles to terminals in Buffalo, Fort Erie, Ontario, and a couple of terminals in the greater Detroit area. We would deliver our loads to those terminals and load up with vehicles built in the U.S. and Mexico for the Canadian market.

The longer runs required staying out overnight, in which case a dispatcher would book a hotel room at the driver’s request. Maris had accounts at hotels in Ottawa, Windsor, etc., and they were nice hotels. Most of today’s car haulers have sleeper cabs, eliminating the expense of hotels.

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

Our truck fleet at Oakville consisted of about 200 trucks, with an almost an even split between Ford L9000s (also known as Louisvilles, for the plant in which they were built) and GMC Brigadiers, with a couple of Chevy Bruins in the mix, and there were nine Mack Econodynes.

Transit damage was considered a part of the job, and no driver could say they never created any damage. They ranged from minor scratches to complete destruction of a vehicle – usually from hitting an overpass – and everything in between. There was one driver at the company who had built a dubious reputation for damaging cars, including the aforementioned overpass-type incident, all of which earned him the nickname “Cap’n Crunch.” Needless to say, it was not an easy job to get fired from that job.

The money I made when I was busy was such that I only needed to work one week each month to cover my living expenses; my car was paid for, and the rent on my apartment at the time was $444 a month, including utilities and underground parking. There were lean times, too, during which I had to work at a driver’s overload service to make up the difference. Also, most of the assembly plants would shut down for a couple of weeks in August to tool up for the new model year.

Getting fired was not easy but getting laid off was a risk in a trucking job that was largely dependent on the auto industry; then as now, it was feast or famine. With the onset of a recession in 1989, I received my layoff notice, and my last day as a Maris car hauler was September 30, 1989. It was a Saturday, and I picked up a load of Jeep YJs at Brampton, delivered the whole load in Windsor, and drove back to Oakville empty. My gross pay that week, in which I only worked three days, was about $500. To this day, I miss that job!

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

Hauling for Maris Transport, late Eighties

My buddy Kim is to a steering wheel, three pedals, and a shifter what a 20-pound sledge is to a row of thumb tacks. Effective? 100 percent. Precise? Not so much. In my entire humdrum life, I’ve never been as scared as I was when belted into the right seat of a brand-new, 2002 Porsche Boxster, going 40 or 50 mph above the speed limit, in a downpour, on an unmarked secondary road, somewhere in Pennsylvania. The sun was blocked by storm clouds and I couldn’t see to the end of the bright yellow Boxster’s stubby hood through the veil of rain and darkness. Yet Kim was over in the driver’s seat, unfazed by the conditions, foot to the floor, working the car’s controls like a young Mike Tyson working Marvis Frazier’s face.

It wasn’t the thought of the little car rising up on a cushion of rainwater hovercraft-style and all of us entering eternity through the trunk of a mature hardwood tree that worried me. It was the thought of the little car rising up on a cushion of rainwater hovercraft-style, us plowing into the trunk of a tree and then, thanks to the magic of seatbelts, airbags and crumple zones, all surviving. In that unfortunate scenario, I’d have had to explain to the people at Porsche why: A) We turned their cute little sports car into a 2,800-pound spitball—identifiable only because they had the foresight to put the Boxster script on the rear and not the front. B) A professional merchant marine was behind the wheel of a car intended for media evaluation purposes rather than the professional media person who’d signed the car out.

But I’d have violated my sworn oath to the buddy code had I not turned the car over to him. We’ve been friends since high school; for as long as I’ve known Kim he’s been a VW and Porsche enthusiast. It’s because of him that I have an appreciation for VWs and Porsches. Look, any car that can endure the punishment he can dish out has to be well-made. German engineering and all that, but I swear the hopped up, engine-swapped Rabbit he had when we were teenagers—a GTI was out of his price range—must’ve been welded together by the same shipyard workers who laid down the hull of the Bismarck.

Besides, I figured, it’s a Boxster, not a 911 Turbo. Among sports cars, it’s a “secretary’s car,” as the late, great Carroll Shelby would’ve called it, back when people didn’t get canceled for calling things “secretary’s cars,” and then have to post tearful apology videos on TikTok or Instagram. Anyway, how much trouble could we possibly get into with a Boxster?

Turns out, zero. As if by divine intervention during this ride o’ terror, the sun poked out, the rain stopped, and within seconds, we were driving on some wetness but not high surf conditions. I unpuckered my glutes a little, and when we found a spot to shoot some photos of the car, I lunged for the key as enthusiastically as I lunged for liquor later that evening. Chalk one up to the Boxster’s unflappable, mid-engine chassis. That little car never flinched and its composure really impressed me.

Strangely, Porsche never loaned me another sports car after that—instead sending the occasional (V-6-powered) Cayenne SUV my way. A wise decision, though I’m not sure how they could’ve known I was a bad borrower. Maybe the Boxster’s upholstery had a weird stench of outgassing fear vapors. It’s possible too that Kim bent the steering wheel, the shifter, the clutch pedal, or all of the above.

That was 20 years ago and I’ve never been able to look at a Boxster the same way since—i.e. without a shudder running through me like dental work gone wrong. And if you think the original Boxster’s performance is underwhelming, or that the 911 is Porsche’s most exciting sports car, then I’ll leave you with this one word: momentum.

If you find a nice Boxster for sale here in the pages of HMN or on Hemmings.com and decide to buy it, allow me to congratulate you—they’re a lot of fun. No need to give me a ride in it and please don’t let Kim test drive it in the rain.

AMC’s Eagle came in a wide variety of body styles and trims, but whenever anybody familiar with the four-wheel-drive cars conjures up a mental image of them, they think of a brown or tan wagon with woodgrain and that plush semi-luxury interior—pretty much exactly this 1986 AMC Eagle consigned to the Hemmings Auctions. Besides being an exemplar of the breed, it’s also a low-mileage and unrestored Limited with all of its trim and original equipment intact. Even more impressive, it features a clean engine bay sans a thin film of grease with every emission line still in its place—highly uncommon among AMCs of that period. It’s not a perfect car, the seller admits, but it looks like it needs little to—dare we say—represent AMC on a concours field some day. From the auction description:

This 1986 AMC Eagle Limited Station Wagon—the top of the line for the year—is described by the seller as a “mint condition” example with just two owners since new. The seller reports that the paint, woodgrain applique, and interior are all original to the car, which has only recorded 38,254 miles since it rolled out of the plant in Brampton, Ontario.

The engine is the 258-cu.in. (4.2-liter) inline-six, which AMC rated at 110 horsepower and 210 lb-ft of torque when new. The engine bay looks clean in the photos, with only minor oxidation of some of the unprotected aluminum parts. The air cleaner housing and fan shroud appear to have their original decals and markings, and the only obvious replacement part appears to be the modern Duracell battery. The seller reports that the engine is original to the car, emits no smoke, and has no fluid leaks. The transmission is the Chrysler 998 “Torque Command” three-speed automatic, which the seller says shifts with no unusual noises or vibrations. The Eagle’s unique feature is the Select Drive four-wheel drive, provided courtesy of a New Process Model 128 “shift-on-the-fly” transfer case. The transfer case is operated by a slide switch on the dash, without requiring the operator to lock hubs.

This Eagle Limited is finished in Autumn Brown Metallic, with a woodgrain applique and chrome trim. The paint appears to be in good condition overall. The seller does point out that there have been some touchups on one fender, and to some stone chips on the leading edge of the “Power Bulge” hood, which was new for 1985 and carried through 1986. The chrome trim, grille, and emblems all appear to be in very good condition, as do both bumpers, which show no signs of corrosion or collision damage. The bumper overriders and filler pieces all appear to have no damage. The roof rack and tailgate hinges show no signs of pitting or other damage, and the tailgate has its original dealer decal still affixed. The seller reports that the exterior lighting is all functional, and that the glass is all in good condition.

The Eagle Limited was only available in one upholstery color and material: Honey Leather. Eagle Limited seats are beautifully styled chairs, with uniquely integrated headrests and two-tone leather details. The seats show no signs of damage. The door panels are similarly styled and show no evidence of wear or damage to the armrests, door tops or door pulls. The carpet appears to have retained its color and shows no sign of wear. The headliner has no evidence of cuts, burns, or sagging, and the dome light and map lights appear to be functional. The Limited trim has a unique steering wheel with a round, woodgrain horn button that appears to be in very good shape. The dash appears to have no cracks in the pad, and the woodgrain panels look rich and unfaded. The instrument panel looks clear and legible, and the seller reports that all the gauges are working. The car features its original AM/FM ETR stereo with four speakers, which the seller says is operational. The air conditioning is also reportedly functional.

The seller has provided photos of the undercarriage, which appear to show only minimal surface corrosion. The Eagle has power steering, which the seller says has no leaks or unexpected play. The seller mentions that the shocks and bushings may be original to the car, and he describes them as “soft,” so replacement may be warranted. The brakes reportedly have no operational issues and have been serviced recently. The Eagle rides on its original steel wheels with full Limited-spec wire wheel covers. The tires are 215/75R15 Uniroyal Tiger Paw whitewalls with date codes showing from 2017.

See more AMCs for sale on Hemmings.com.

Guitars N’ Cars to Help Houston Area Homeless Vets

The 12th annual Guitars N’ Cars Auto Show will take place this weekend at Houston’s Ellington Airport. Proceeds to the show will go to the Houston area U.S. VETS program which provides housing, counseling, services, and support to veterans and their families every day. The two-day show will take place in tandem with The Commemorative Air Force Wings Over Houston Airshow which will be headlined by The Blue Angels, the U.S. Navy’s flight demonstration squadron.

See a comprehensive showcase of American classics, exotics, hot rods, muscle cars, trucks, and motorcycles. Car club and individual vehicle entries are encouraged and general admission to Guitars N’ Cars is included with the entry fee to the airshow. There will be a display of vintage guitars and live music to enjoy as you see all the cars and aircraft up close.

The show will take place October 29 to 30, from 9 a.m. to 5 p.m. both days. Visit guitarsncars.org and wingsoverhouston.com for more details.

Palmetto State Party

The Hilton Head Concours d’Elegance returns to the Port Royal Golf Club for a three-day event that will show off different car collections and pristine examples of classics from all different eras. Among the activities scheduled include a grand motoring film festival, a driving tour around Parris Island, a Flights & Fancy Aeroport Gala at the Hilton Head Island Airport General Aviation ramp and an afterparty gathering. The special car displays and car club showcase will include Legends of the Autobahn East, Austin-Healey Southeastern Classics and of course wrapping up the weekend’s event will be the Concours d’Elegance. Nearly 200 cars and motorcycles will be strewn about the first and 18th fairways with more than 75 judges picking the winners of each class and the coveted “Best of Show.” Honored marques will include Mercedes-Benz SL and Porsche 356. The dates are set for November 4-6, visit hhiconcours.com for details.

Beverly Hills Car Club owner and classic car expert Alex Manos has been helping people buy and sell their dream cars since the early 2000’s. BHCC (Beverly Hills Car Club) today is an internationally-known classic car dealership, with clientele ranging from Hollywood celebrities to everyday people looking for restoration projects. He has literally bought and sold thousands of vintage automobiles, unique makes and models and years from A-to-Z, and car conditions ranging from total barn finds to perfect restorations. “My team and I are very privileged to buy and sell some of the world’s most beautiful and unique vintage automobiles, in every condition we can find them!”

From an early age, Alex discovered a love of cars and passion for jaw-dropping European classic automobiles. This ultimately became Beverly Hills Car Club, a Southern California-based classic car dealership and one of the largest such dealerships in the country boasting 400+ rare classics for sale. The path to growing a business however is never a straight line, and for Alex it has meant countless hours of hard work buying, selling, and hunting down thousands of classic cars from all over the continental United States!

“Every car I buy has a story attached to it, which makes it that much more appealing to a car collector. Like most buyers, I can get quite obsessive about finding the right car!” This enthusiasm basically translates into a quest for buying and selling cars 24/7, seven days a week, with extensive nationwide travels to find these rare classics. “Our showroom used to be open five days a week, but for the past ten years, it’s been open six days a week. This is just what I do. This is my life.”

Beverly Hills Car Club Inventory? Something for Everybody!

Beverly Hills Car Club is one of the largest dealerships for classic European cars in the world, and keeping that inventory in-stock means Alex is one of the nation’s leading classic European car buyers as well! With over 40 full-time employees, Beverly Hill Car Club is a vibrant LA-based business and a Disneyland-like experience for the classic car aficionado. BHCC also prides itself on impeccable client care and customer service, and a vast knowledge of the marketplace for these classic makes and models. “Ultimately, owning a classic car is a lifestyle” says Manos, “and our team at BHCC hopes to be that valued partner in the marketplace and information resource to this community”.

Where can I find Alex Manos?

Alex is active in social media, regularly posting on his personal Instagram. He also posts a weekly Car Tales blog, highlighting a recent car in Beverly Hills Car Club’s showroom. Beyond that, he’s a regular contributor to Total 911 Magazine and of course is active here on Hemmings.com. Most importantly, he’s talking to classic car lovers every day and helping connect buyers and sellers of some of the best vintage cars on the market today!

At Beverly Hills Car Club, we’re located in Los Angeles, we buy nationwide, and have expertise in any make and model you have for sale or want to buy. We also offer incredibly fair prices — when you find current classic car prices, you’ll quickly see that our offers are fair and our services exceptional.

-Alex Manos, Owner – Beverly Hills Car Club

Looking to Sell Your Classic Car? Let’s Talk!